The Friend: a 'graceful' but flawed dog movie
Naomi Watts stars in 'intelligent' adaptation of Sigrid Nunez's book about a 'problematic pooch'
From "Turner & Hooch" to "Beethoven", "the tale of a reluctant owner falling in love with a problematic pooch has played out many times on the big screen", said Dulcie Pearce in The Sun. "The Friend" is the latest addition to the canon. It stars Naomi Watts as Iris, a writer who is reeling from the suicide of her friend and literary mentor Walter (Bill Murray, glimpsed mainly in flashback) when she discovers that he has bequeathed her his dog, Apollo. Unfortunately, she lives in a "tiny" New York flat – and Apollo is "a 150lb Great Dane" who has become "deeply depressed" since his master's death.
There are some predictable odd-couple flare-ups, said Robbie Collin in The Daily Telegraph. Apollo chews up half of Iris's belongings – including her "abortive second novel" – and commandeers her bed. She finds herself "wondering what on earth her late confidant thought she could do for this dog", but of course it turns out that Walter "was more intrigued by what the dog might do for her". Sadly, the answer is neither profound nor exciting: indeed, "seldom has a film ever felt like it's trying so hard not to be interesting".
I was interested in the dog, said Deborah Ross in The Spectator. Named Bing in real life, he is "a solemn, mournful presence" with a peculiar majesty. The human stars are good, too. But "The Friend" isn't just doggy hokum. It is based on a novel by Sigrid Nunez – a meditation on grief and friendship that is so literary and meta, you wonder why they ever thought of making it into a movie. Yet Scott McGehee and David Siegel, "who wrote the screenplay and also direct, do seem to have captured" the book's "essence". Their film "is a graceful, respectful and intelligent interpretation, even if it may prove too dramatically underpowered for some".
The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
Scoundrels, spies and squires in January TVthe week recommends This month’s new releases include ‘The Pitt,’ ‘Industry,’ ‘Ponies’ and ‘A Knight of the Seven Kingdoms’
-
Venezuela: The ‘Donroe doctrine’ takes shapeFeature President Trump wants to impose “American dominance”
-
Giving up the boozeFeature Sobriety is not good for the alcohol industry.
-
Giving up the boozeFeature Sobriety is not good for the alcohol industry.
-
Striking homes with indoor poolsFeature Featuring a Queen Anne mansion near Chicago and mid-century modern masterpiece in Washington
-
Film reviews: ‘No Other Choice,’ ‘Dead Man’s Wire,’ and ‘Father Mother Sister Brother’Feature A victim of downsizing turns murderous, an angry Indiana man takes a lender hostage, and a portrait of family by way of three awkward gatherings
-
Courgette and leek ijeh (Arabic frittata) recipeThe Week Recommends Soft leeks, tender courgette, and fragrant spices make a crisp frittata
-
Avatar: Fire and Ash – third instalment feels like ‘a relic of an earlier era’Talking Point Latest sequel in James Cameron’s passion project is even ‘more humourless’ than the last
-
The Zorg: meticulously researched book is likely to ‘become a classic’The Week Recommends Siddharth Kara’s harrowing account of the voyage that helped kick-start the anti-slavery movement
-
The Housemaid: an enjoyably ‘pulpy’ concoctionThe Week Recommends Formulaic psychological horror with Sydney Sweeney is ‘kind of a scream’
-
William Nicholson: a ‘rich and varied’ exhibitionThe Week Recommends The wide-ranging show brings together portraits, illustrations, prints and posters, alongside ‘ravishing’ still lifes