The Nature of Love: 'sly, sexy and smart' French-Canadian rom-com
The chemistry between Magalie Lépine Blondeau and Pierre-Yves Cardinal is 'electric'

"The Nature of Love" is a French-Canadian film about a professor of philosophy "who considers herself happily married but then encounters a builder and sparks fly", said Deborah Ross in The Spectator. This makes it sound like "one of those "Confessions"… films, or an airport novel, but it isn't". It's "sly, sexy and smart".
Written and directed by Monia Chokri, it stars Magalie Lépine Blondeau as Sophia, the professor, who is married to fellow academic Xavier (Francis-William Rhéaume). When they need to get their summer home renovated, Sophia hires the "rugged" Sylvain (Pierre-Yves Cardinal) – and soon they are "tearing each other's clothes off".
But Chokri gradually makes it clear what different worlds the lovers inhabit. Her family is rich and welleducated, while he comes from a "working-class" background. He "wears bad shirts", mispronounces words and is "a little bit racist". The film does recycle "romcom tropes" but it does so "knowingly". The "performances are exquisite" and "the chemistry between the two leads is electric".
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
Chokri has said she wanted to shoot the film "in the manner of a nature documentary", so it is filled with "exterior shots peeking in at intimate moments", and "interior shots gazing out", said Ryan Gilbey in The Guardian. Unfortunately, this "fussy visual style" prevents us from "becoming absorbed" in the film's "tempestuous romance".
The camerawork is so stylised it is ultimately distracting, agreed Saskia Baron on The Arts Desk. And the film never really decides whether it's a "sexy romcom, an essay on class divisions or an exploration of female sexuality".
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
Thai fish pie with crispy turmeric potatoes recipe
The Week Recommends Tasty twist on the Lancashire hot pot is given a golden glow
-
Palestine Action: protesters or terrorists?
Talking Point Damaging RAF equipment at Brize Norton blurs line between activism and sabotage, but proscription is a drastic step
-
Trump's strikes on Iran: a 'spectacular success'?
In Depth Military humiliations 'expose the brittleness' of Tehran's ageing regime, but risk reinforcing its commitment to its nuclear program
-
Thai fish pie with crispy turmeric potatoes recipe
The Week Recommends Tasty twist on the Lancashire hot pot is given a golden glow
-
Feel the groove with these music-centric getaways across the globe
Let the rhythm move you
-
5 high-concept animated science fiction shows for grown-ups
The Week Recommends How filmmakers are using a different medium to bring visionary science fiction to life
-
Lovestuck: a 'warm-hearted' musical with a 'powerhouse score'
The Week Recommends Team behind the hit podcast My Dad Wrote a Porno have created a hilarious show about a disastrous viral Tinder date
-
Outrageous: glossy Mitford family drama is full of 'fun, fashion and froth'
The Week Recommends Adaptation of Mary Lovell's biography examines the scandalous lives of the aristocratic sisters
-
F1: The Movie – a fun but formulaic 'corporate tie-in'
Talking Point Brad Pitt stars as a washed up racing driver returning three decades after a near-fatal crash
-
Lost Boys: a 'sobering' journey to the heart of the manosphere
The Week Recommends James Bloodworth examines the 'cranks and hucksters' making money through 'masculine discontent'
-
6 productivity-ready homes with great offices
Feature Featuring an office with a gas fireplace in Oregon and a shared workspace with wraparound windows in Massachusetts