The week's best photojournalism
A dinosaur race, a glowing olive tree and more












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Anahi Valenzuela has worked as an editorial assistant at The Week since 2022, where she assists with magazine content and covers the week's best photos. She started her career as a media producer at The Daily Californian and a writer for College Magazine.
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Nigerian Modernism: an ‘entrancing, enlightening exhibition’The Week Recommends Tate Modern’s ‘revelatory’ show includes 250 works examining Nigerian art pre- and post independence
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To the point: the gender divide over exclamation marksTalking Point 'Men harbouring urges to be more exclamative' can finally take a breath – this is what using the punctuation really conveys
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Macbeth: a ‘genuinely scary’ productionThe Week Recommends Daniel Raggett’s nightmarish modern-day staging is set in a boozer in gangland Glasgow
