The Week The Week
flag of US
US
flag of UK
UK
https://cdn.mos.cms.futurecdn.net/skoGBi9qKFoUtnNWkovjJQ.jpg

SUBSCRIBE

Try 6 Free Issues

Sign in
  • View Profile
  • Sign out
  • The Explainer
  • Talking Points
  • The Week Recommends
  • Podcasts
  • Newsletters
  • From the Magazine
  • The Week Junior
  • More
    • Politics
    • World News
    • Business
    • Health
    • Science
    • Food & Drink
    • Travel
    • Culture
    • History
    • Personal Finance
    • Puzzles
    • Photos
    • The Blend
    • All Categories
  • Newsletter sign up Newsletter
  • The Week Evening Review
    Disney’s AI plans, the Trump World Cup, and unaffordable fast food

     
    TALKING POINTS

    Disney bets big on AI but not everyone sees a winner

    Want to make the next sequel to “Frozen” yourself? Now the Walt Disney Company is giving fans a way to do so — sort of. The Mouse House has announced it’s exploring tools that could allow Disney+ users to upload their own AI-generated content onto the platform. This could potentially include AI content from Disney’s IP, allowing users to tap into the company’s original characters. But while Disney appears to be all-in on its AI bet, the idea has some people shaking their heads.

    ‘Much more engaged experience’
    Artificial intelligence is “going to give us the ability to provide users of Disney+ with a much more engaged experience,” said Disney CEO Bob Iger in the company’s fourth-quarter earnings call. This includes the “ability for them to create user-generated content and consume user-generated content, mostly short form, from others.” While no official partnership has been announced, Disney has had “productive conversations” with AI brands that would also “reflect our need to protect the IP.”

    Disney is likely trying to appeal to “younger audiences, especially Gen Z,” who are “gravitating toward spaces where they can participate, remix and respond rather than simply watch,” said NPR. This additionally “points to the growing popularity of indie creators and a change in consumer expectations around quality.” Content “doesn't always have to be polished to be extremely popular.”

    ‘Another grim omen’
    Despite Iger’s enthusiasm, many “artists, animators and Disney fans didn’t take the news well,” said Forbes. Many commentators were “deeply disappointed that Disney, the legendary animation studio that grew into a sprawling media empire, would embrace the automation of art.” Some viewed it as “another grim omen, fearing that the spread of generative AI would result in more job losses and a deluge of low-quality content on the streaming platform.”

    It’s “heartbreaking to think of the wonderful artists who put so much obvious love and care into every frame of the old Disney cartoons,” cartoonist Vincent Alexander said on X. “I'm glad they aren’t around to see this.” 

    Disney’s AI gamble “could be bigger than you think,” said The Hollywood Reporter. But the “consequences of this AI video moment go well beyond Disney.” Americans are “slowly becoming accustomed” to the idea that “stories and personalities are not fixed entities, there to be interpreted as one likes but little else.”

     
     
    QUOTE OF THE DAY

    ‘I really wished the American administration also saw the value of human rights and democracy.’ 

    Hanan Elatr, Jamal Khashoggi’s widow, on Trump’s visit with Saudi Crown Prince Mohammed bin Salman, in an interview with The Times. She believes the Trump administration is “only concentrated on an economic and military deal.”

     
     
    IN THE SPOTLIGHT

    Will 2026 be the Trump World Cup?

    President Donald Trump appears to have every intention of exploiting the 2026 World Cup to push his MAGA agenda. He will “make sure he’s front and center” at this tournament,” to be hosted by the U.S., Canada and Mexico, said The Guardian, even in “spots where he has no business or where his involvement may be seen as uncouth or inappropriate.” 

    Host cities threat 
    Trump recently suggested he may ask FIFA to relocate matches away from Democratic-run host cities, including Boston, Los Angeles and Seattle, due to so-called safety concerns. This would be an “extraordinary decision that has little, if any, precedent,” said CNN. All of the host cities were announced in 2022 and have already lavished “time and money” on “infrastructure improvements” and plans to accommodate millions of visitors. 

    At a White House conference with FIFA President Gianni Infantino to discuss World Cup plans, Trump also told reporters he would be “OK” with ordering strikes against co-host Mexico as part of his ongoing war on drug trafficking. “They know how I stand,” he said. 

    ‘Peace’ prize 
    After making his sixth visit of the year to the White House this week, Infantino will use next month’s World Cup draw in Washington, D.C., to award the inaugural FIFA Peace Prize. The stated aim is to reward “individuals who have taken exceptional and extraordinary actions for peace and, by doing so, have united people across the world,” according to FIFA. 

    FIFA has disclosed no details about the process for choosing the winner. And if Trump receives the award as expected, it will “add to the perception that it has been created in response to the U.S. president not winning the Nobel Peace Prize,” said The Associated Press. 

    The timing of the award and Infantino’s “proximity to the president” have “raised questions about whether FIFA is adhering to its own rules on political neutrality,” said The New York Times. Ahead of the 2022 men’s World Cup in Qatar, Infantino said in a letter to the 32 competing federations, “Please do not allow football to be dragged into every ideological or political battle.” 

    “Indelible, sublime moments will still happen” at next year’s World Cup, said The Guardian. But those moments will be “punctuated by Trump, eternally encroaching on even the most elevated of emotional experiences.”

     
     

    Statistic of the day

    $236.4 million: The amount paid for a painting by Gustav Klimt in New York City — the most ever for a modern artwork at auction. The Austrian artist’s “Portrait of Elisabeth Lederer,” which was looted by the Nazis during World War II, was sold to an unnamed buyer after a 20-minute bidding war at Sotheby’s.

     
     
    the explainer

    Fast food is no longer affordable for everyone

    McDonald’s golden arches might as well be made of real gold, and Burger King’s burgers may be reserved for kings. Fast food was once a cheap and accessible source of food, but now many lower-income Americans are being priced out. At the same time, the gap between the wealthy and the poor is widening, making upward mobility difficult.

    Why is it more expensive?
    Across the country, prices are rising across the board, including at fast food restaurants. “Higher costs of restaurant essentials, such as beef and salaries, have pushed food prices up and driven away lower-income customers,” said the Los Angeles Times. The average price of a menu item at McDonald’s increased by approximately 40% between 2019 and 2024, according to a company fact sheet.

    At the same time, consumer income is not keeping up with the cost of living. Rent, food prices, and child care costs are all “high” across the country, said McDonald’s CEO Chris Kempczinski to investors. “There’s some significant inflation there that the low-income consumer is having to absorb.” Chipotle, Burger King and Wendy’s have also reported fewer lower-income patrons. So some restaurants have attempted to create value menus with cheaper items to bring back clientele.

    The Trump administration has played a significant role in making fast food more expensive. “Price hikes, in part due to the Trump administration’s tariffs, disproportionately affect lower-income Americans since they spend more of their incomes on goods than services, which are not directly impacted by levies,” said The Independent.

    What are the economic outcomes?
    Economic strain is not all equal. Over time, the U.S. economy has been turning more K-shaped. This means that the “high-earner cohort” is “doing better and better while others fall further down the economic ladder,” said NBC News. This has particularly affected those ages 25 to 30. Those who are not rich are opting to budget and eat at home. On the flip side, the global luxury conglomerate that includes brands like Christian Dior and Tiffany & Co. had a “better-than-expected quarter, sending its stock 12% higher,” said USA Today.

    Affordability continues to be a major policy issue for Americans, and “discontent will continue to increase so long as they perceive affordability as an issue, even if economic indicators improve,” said Fortune. That is to say, confidence in today’s economy is deep-fried.

     
     

    Good day 🎾

    … for tennis legends. Switzerland’s Roger Federer has been elected to the International Tennis Hall of Fame in his first year of eligibility. The recognition is “deeply humbling,” said the first man to win 20 Grand Slam singles titles. The induction ceremony will take place in August.

     
     

    Bad day 🌭

    … for organs. Ultraprocessed food, which makes up more than half of the average American’s diet, can harm every major organ system of the human body, according to a study published in The Lancet. It can increase the risk of health problems like diabetes, heart disease and obesity.

     
     
    Picture of the day

    Ashes, ashes

    Mount Semeru erupts in East Java, Indonesia. Yesterday’s volcanic eruption brought pyroclastic flows, spewing fast-moving hot clouds of volcanic ash over nearby villages. More than 300 people evacuated the area. Mount Semeru is one of the most active among Indonesia’s 120 live volcanoes.
    Agus Harianto / AFP / Getty Images

     
     
    Puzzles

    Daily crossword

    Test your general knowledge with The Week's daily crossword, part of our puzzles section, which also includes sudoku and codewords

    Play here

     
     
    The Week recommends

    The best narco movies of all time 

    The term “narco” is derived from the culture of violent crime that grew out of Latin American drug cartels. As the U.S. cocaine and crack epidemics exploded in the 1980s and the government declared a “war on drugs,” filmmakers began to train their eyes on those cartels, depicting the crime, tragedy and corruption that they left in their wake.

    ‘Traffic’ (2000)
    Prolific director Stephen Soderbergh is one of the few high-profile filmmakers who’s genuinely untethered to any specific genre. A quarter century ago, he helmed “Traffic,” a sweeping look at the disastrous war on drugs from multiple perspectives. The “interlocking pieces” of the script “not only give a systemic overview of the war on drugs but feed into a damning thesis on its failures,” said The Guardian. (Netflix)

    ‘Blow’ (2001)
    Just before Hollywood’s Villain Industrial Complex relocated to the Middle East after 9/11, Mexican cartels got another long look as the country’s enemy du jour in Ted Demme’s goofy and often funny “Blow” (pictured above). The “breezily nonjudgmental” movie is less about drugs and “really about money and the fabulous set and costume design opportunities it can buy,” said The New York Times. (Netflix)

    ‘Sicario’ (2015)
    Director Denis Villeneuve is best known today for his work on the critically acclaimed “Dune” films, but his filmmaking has spanned many genres, including 2015’s harrowing drug epic. The movie “creates a sense of unease and ceaseless danger that digs under the viewer’s skin,” said Deep Focus Review. (Peacock)

    Read more

     
     

    Poll watch

    Nearly one in four Spaniards between the ages of 18 and 26 prefer an authoritarian government to a democratic one, according to an El País / Cadena SER poll. Today is the 50th anniversary of Francisco Franco’s death. With the far-right “once more on the march,” this year’s commemorative events are targeted at younger voters with “no memory and scant knowledge” of the 39-year dictatorship.

     
     
    INSTANT OPINION

    Today's best commentary

    ‘Balanced immigration solutions can help protect America’s restaurants’
    Dan Simpson at The Hill
    The American restaurant industry, a “pillar of our economy and culture, is facing an urgent and worrisome threat,” says Dan Simpson. People who “held valid work permits at the time are suddenly being stripped of their legal protections and work authorization, leaving the industry in the lurch.” This “leaves restaurant owners and managers with no choice but to bid farewell to these teammates and try to make do without them,” which has “affected not only staff but also customers.”

    ‘We can’t fix the opioid crisis if we don’t know what’s killing people’
    Shravani Durbhakula at Time
    Medical examiners are “unable to detect many of the compounds fueling the next phase of the overdose crisis. But simple changes could be transformational,” says Shravani Durbhakula. The U.S. “still relies on toxicology panels built for yesterday’s drug supply.” This “gap means that policymakers and public health professionals chase outdated trends.” Policymakers could “use opioid abatement funds to help,” and “comprehensive toxicology would let us anticipate the next crisis instead of chasing the last.”

    ‘The Saudification of America is underway’
    Karen Attiah at The Guardian
    Seven years “almost to the day since the CIA announced the crown prince’s responsibility” in Jamal Khashoggi’s murder, Mohammed bin Salman “returns to Washington, invited for an official visit by America’s Temu pharaoh,” Donald Trump, says Karen Attiah. The “reconciliation between Trump and MBS was perhaps inevitable,” and they are “effectively asking Americans to believe that America and Saudi Arabia will make the world a better place.” The “average American gains next to nothing from these elite arrangements.”

     
     
    WORD OF THE DAY

    parasocial

    Feeling connected to someone (or something) without knowing them personally. “Parasocial,” coined in 1956 by sociologists Donald Horton and Richard Wohl, is the Cambridge Dictionary’s 2025 word of the year. Parasocial relationships can include those with “celebrities, influencers and online personalities,” as well as AI chatbots, said CNN, and have “redefined fandom and celebrity,” said The Independent. 

     
     

    Evening Review was written and edited by Nadia Croes, David Faris, Scott Hocker, Justin Klawans, Summer Meza and Devika Rao, with illustrations by Stephen Kelly and Julia Wytrazek.

    Image credits, from top: Illustration by Stephen Kelly / Getty Images; Illustration by Julia Wytrazek / Getty Images; Mike Kemp / Getty Images; New Line Cinema / Handout / Getty Images
     

    Recent editions

    • Morning Report

      US in fresh Ukraine peace push

    • Evening Review

      The LinkedIn spies

    • Morning Report

      US lawmakers vote to release Epstein files

    VIEW ALL
    TheWeek
    • About Us
    • Contact Future's experts
    • Terms and Conditions
    • Privacy Policy
    • Cookie Policy
    • Advertise With Us
    • FAQ
    Add as a preferred source on Google

    The Week UK is part of Future plc, an international media group and leading digital publisher. Visit our corporate site.

    © Future Publishing Limited Quay House, The Ambury, Bath BA1 1UA. All rights reserved. England and Wales company registration number 2008885.