We Killed: The Rise of Women in American Comedy by Yael Kohen

One of the "bright spots" in Yael Kohen's oral history is the "sheer abundance and variety of voices.”

(Farrar, Straus & Giroux, $27)

Yael Kohen likes to focus on other women’s shortcomings, said Rachel Shukert in Salon.com. “That’s not to say there’s not some great stuff” in her new oral history of women’s role in American comedy since about 1960. But because Kohen frames her story with the wrong question, some “extraordinary, brilliant women” come across largely as disappointments. Ever since Christopher Hitchens wrote a 2007 Vanity Fair essay asserting that women aren’t funny, the issue of whether they can make people laugh has been treated as if it’s “one of the great unanswerables of the universe,” and it’s that question that Joan Rivers, Whoopi Goldberg, and many other interviewees must measure their careers against. Did they confront bias? Of course they did. But can’t we move on to the funny stuff?

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