On Broadway, “small is the new big,” said Michael Alan Connelly in New York magazine. Case in point: the Tony-night victory of Once—an intimate little musical based on a 2006 indie film—which last Sunday blew past big-budget shows and “the Disney-backed juggernaut Newsies” to win eight awards. In fact, this year’s event delivered quite a few surprises. The Gershwins’ Porgy and Bess, blasted by Stephen Sondheim for being disrespectful of the Gershwins’ work, beat Sondheim’s own Follies for Best Revival. Death of a Salesman’s Philip Seymour Hoffman, widely considered the favorite for Best Actor, lost to One Man, Two Guvnors’ “cuddly-cute” James Corden. It was a refreshingly suspenseful evening, during which “art won out over commerce.”
Once didn’t triumph because of artistry, said Richard Zoglin in Time.com. The “earnest but overrated little show” was simply the best of an awful musical season. What more proof do you need than the fact that this year’s opening number was from last year’s Book of Mormon? Or that “two of the four nominees for best musical score were actually plays”? It was a much better year for straight plays, but Tony night depends on crowd-pleasing songs and dance numbers. This may be why the producers felt the need to go live to a cruise-ship production of Hairspray. The announcers heralded this at-sea broadcast as a breakthrough, but as the cruise line was also a sponsor of the show, another word came to mind: “infomercial.”
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