Stars of the small screen from across the globe flocked to central London for the British Academy Television Awards last night.
With the ever-popular Stranger Things and smash-hit The Crown lurking among the nominees, few shows looked to stand a chance against the might of Netflix.
However, the streaming site's hot favourite The Crown - one of the most expensive TV shows ever produced at an estimated £100m - lost out on best drama series to the BBC's police show Happy Valley, something that would have pleased the corporation no end, says the Daily Telegraph.
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
SUBSCRIBE & SAVE
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
"When Netflix outbid the BBC for rights to produce The Crown, it was meant to represent the US streaming giant's triumphant entry into the world of British drama," the paper adds. "But the BBC had the last laugh when its gritty police procedural Happy Valley, made on a fraction of The Crown’s £100 million budget, trounced it at the Baftas."
Happy Valley didn't stop there. capping off what Radio Times described as a "big snub for Netflix and a stellar night for the BBC", Sarah Lancashire, who plays Sergeant Catherine Cawood in the show, took home the coveted award for best actress ahead of the hotly tipped Claire Foy of The Crown.
Best actor went to Adeel Akhtar for Murdered by My Father, an unflinching drama about so-called "honour killings", while American Crime Story: The People v. OJ Simpson was named best international programme.
Not everyone was pleased by the results. This year's nominations hinted this would be a "brave" year for Bafta, The Guardian says, featuring shows that "were unusually sensitive to two definitions of diversity: the range of people and subjects featured, and the ways content is made available.
"But on the night, given the choice between the known and the fresh, almost all radicalism vanished," the paper continued. "The winners largely represented a reversion to the most conservative and traditional options. Those taking trophies home included long-established talents... and formats."
Amazon's 'James Bond' deal could mean a new future for 007
Why are Republicans suddenly panicking about DOGE?
What is JD Vance's Net Worth?
