Under the Skin
An alien seductress stalks Scotland.
Directed by Jonathan Glazer
(R)
***
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
Scarlett Johansson’s creepy new sci-fi film “is bound to be a polarizing experience, likely to at times irritate even viewers who admire it,” said Ben Kenigsberg in the A.V. Club. The star plays an alien who cruises Scotland in a white cargo van, picking up men to lure them to their annihilation, and because the movie itself adopts an alien perspective on Earth and its inhabitants, it “sometimes resembles installation art more than a theatrical feature.” For a good hour, “the sheer strangeness and virtuosity of this quiet, sinister work are enough to sustain curiosity,” said Todd McCarthy in The Hollywood Reporter. Director Jonathan Glazer (Sexy Beast) shot some scenes using nonactors who didn’t know they were being filmed, and Johansson “succeeds admirably” at holding the screen while maintaining all the while a passive, otherworldly demeanor. The film’s last third “feels less daring” than what came before, yet still, “Under the Skin gets under the skin,” said Ryan Gilbey in the New Statesman (U.K.). “It is an experience that has as much to do with hypnosis as with cinema.”
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
'Underneath the noise, however, there’s an existential crisis'
Instant Opinion Opinion, comment and editorials of the day
By Justin Klawans, The Week US Published
-
2024: the year of distrust in science
In the Spotlight Science and politics do not seem to mix
By Devika Rao, The Week US Published
-
The Nutcracker: English National Ballet's reboot restores 'festive sparkle'
The Week Recommends Long-overdue revamp of Tchaikovsky's ballet is 'fun, cohesive and astoundingly pretty'
By Irenie Forshaw, The Week UK Published