The Question of Hope: Robert Adams in Western Oregon

Robert Adams’s pictures of clear-cut forests “recall the human carnage documented by battlefield photographers.”

Portland Art Museum

Through Jan. 5

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Fortunately for us, “Adams’s eye is always trained on beauty,” said John Motley in the Portland Oregonian. For this show, he’s paired his logging pictures with images of the Pacific Ocean, all of them bold, simple compositions, like 1990’s South From Ecola. Often, “the entire frame is filled with sea, sky, and clouds,” but because the photographs were made on different days or at different times of day, those elements “seem to contain infinite range.” There are signs of life here too—occasional flocks of seabirds or a family of beachcombers that serve to remind us how deadly quiet his forests are. Nature’s beauty, he seems to be telling us, requires our appreciative awareness of it if it is to survive.