Let’s Explore Diabetes With Owls
by David Sedaris (Little, Brown, $27)
The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
Dad Is Fat
by Jim Gaffigan (Crown, $25)
Comedian Jim Gaffigan is “typically self-effacing” in his new memoir on fatherhood, said Bill Brownstein in the Montreal Gazette. That’s evident from the first words: “Jim Gaffigan wrote a book? Isn’t he the Hot Pockets guy? I guess that’s funny to some people.” Gaffigan also cunningly adopts a shell-shocked tone while writing about his efforts with his wife to raise five young children in a two-room Manhattan apartment. The results prove “hilarious and, dare we say, instructive.”
Screw Everyone
by Ophira Eisenberg (Seal Press, $16)
Ophira Eisenberg “is clearly not just a great comedian; she’s a great writer,” said Liz Colville in the San Francisco Chronicle. The stand-up performer and NPR host has turned the story of her early adulthood into a parade of “tumultuous, disappointing, and hilarious romantic escapades.” Eisenberg seems to have encountered “her fair share of weirdos,” but she doesn’t appear to exaggerate for effect. She’s written “a celebration of female sexual freedom” that’s both funny and emotionally honest.
Snapper
by Brian Kimberling (Pantheon, $25)
The protagonist of this “tender and acerbic” debut novel is decidedly less than enamored of his home state, said Edward Hart in
The protagonist of this “tender and acerbic” debut novel is decidedly less than enamored of his home state, said Edward Hart in The Kansas City Star. In Indiana, says unmotivated birdwatcher Nathan Lochmueller, “Everything’s flat, everyone’s fat, and you can’t buy beer on Sunday.” Author Brian Kimberling never does make Nathan’s love interest seem fully human. But Kimberling has established himself with Snapper as “a remarkably funny and profound voice in contemporary fiction.”