Christian Marclay: The Clock

Christian Marclay’s video of assembled movie clips won the Venice Biennale’s Golden Lion in 2011.

San Francisco Museum of Modern Art

Through June 2

Subscribe to The Week

Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

SUBSCRIBE & SAVE
https://cdn.mos.cms.futurecdn.net/flexiimages/jacafc5zvs1692883516.jpg

Sign up for The Week's Free Newsletters

From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.

From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.

Sign up

Here and there, Marclay seems to make time move in spurts, said Lauren Gallagher in the San Francisco Examiner. “Some minutes feel like a thousand lifetimes, while others sink into a still, suspended eternity.” As noon approaches, the action seems to accelerate. “Cowboys grab guns, lovers argue, and gangsters and gamblers get punchy.” Marclay imposes a “pulsating techno-beat” on the midday footage, “heightening suspense.” The ongoing challenge of identifying the clips’ sources will no doubt keep film buffs entertained for hours. But there’s so much more going on here. The Clock “sucks the viewer into its churning vortex” while making shrewd commentary on the ways we view time’s passage—sometimes with anxiety or fear, sometimes with hopeful expectation or boredom. The surprising blend of wit and insight “leaves the viewer giddy, delightfully bewildered, and panting for more.”