The Soundtrack of My Life by Clive Davis

Clive Davis’s new memoir is “studded with pretty good moments.”

(Simon & Schuster, $30)

Clive Davis’s new memoir is “studded with pretty good moments,” said Dwight Garner in The New York Times. No man who’s enjoyed five decades of blockbuster success in the record industry could fail to have stored up countless can’t-miss celebrity anecdotes. Here’s Janis Joplin suggesting that they go to bed to seal his offer of a record contract. There’s Lou Reed declining a weekend beach invitation because a tan would ruin his street-ghoul image. And over and over appear misguided artists who fail, at least temporarily, to heed Davis’s counsel and transform themselves into supernovas on the power of the former lawyer’s song choices. Usually, the musicians wished to follow their muses; at Columbia Records and several stops since, Davis proved again and again that he had a better handle on how to convert their talents into riches.

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Davis’s book could have been far more revealing, said Randall Roberts in the Los Angeles Times. He waits until the very last chapter to reveal that he’s been a practicing bisexual for years—a detail that clashes with his general air of lawyerly detachment. We also learn very little about industry finances or his thoughts on the huge changes wrought by digital technology. Though The Soundtrack of My Life is “filled with fantastic scenes,” unless Davis graces us with a sequel, “the extent of his impact on the music world” will remain far from fully known.