Book of the week: The Searchers: The Making of an American Legend by Glenn Frankel

John Ford’s 1956 Western The Searchers “has always been more than just a John Wayne movie.”

(Bloomsbury, $28)

John Ford’s 1956 Western The Searchers “has always been more than just a John Wayne movie,” said Douglass K. Daniel in the Associated Press. Yet in this new book about the deeper story behind the film, journalist Glenn Frankel has found layers of significance that make must-reading for anyone interested in the myths that America chooses to tell itself. Ford, after all, didn’t snatch the movie’s plot from thin air. He was adapting a 1954 best seller based on a Texan’s actual years-long search for a niece who’d been abducted at age 9 during an 1836 Comanche raid. When Cynthia Ann Parker was “rescued” from the tribe 24 years later, she was regarded by some as a heroic survivor, by others as a white savage. In Ford’s rendering, she simply became a secondary figure.

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Ford clearly understood that dynamic, said Stephen Whitty in the Newark, N.J., Star-Ledger. He took Wayne, one of cinema’s biggest stars, and had him play a very odd hero—a man so offended by the idea of interracial rape that he decides he must kill the niece he set out to save. That plot choice marks The Searchers as “the most radical Western ever made,” said J. Hoberman in The New York Times. “No American movie has ever so directly addressed the psychosexual underpinnings of racism” or so daringly challenged the myths of the West’s conquest. Frankel asks us to see Cynthia Ann Parker’s story as having made an epic journey of its own, recast by each era for new purposes. His “revelatory” work brings that larger drama to life.