In Mother Words
Theresa Rebeck and Pulitzer Prize winner Beth Henley are among the playwrights who contributed a piece to this collection of 20 monologues about child-rearing.
Geffen Playhouse
Los Angeles
(310) 208-5454
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
**
“For all the changing fads surrounding motherhood,” the milestones in the journey from giving birth to empty-nest syndrome haven’t changed that much, said Charles McNulty in the Los Angeles Times. That fact makes even the edgier themes of this collection of 20 monologues feel very familiar. As performed by Jane Kaczmarek, Saidah Arrika Ekulona, Amy Pietz, and James Lecesne—the latter “momentarily stealing the show as a soon-to-be gay daddy”—the material is poignant enough to strike a chord with its audience. If only the writing “weren’t so bland.” Even with such playwrights as Theresa Rebeck and Pulitzer Prize winner Beth Henley among the monologues’ 14 writers, there is at best “a decent half-hour of mildly touching, mildly humorous material in this 95-minute show.”
Yet when it discusses the newer challenges of child-rearing, In Mother Words “really sings,” said Tanner Stransky in Entertainment Weekly. Lecesne’s monologue about surrogacy, Pietz’s about raising an autistic teenager, and Kaczmarek’s “tremblingly good” turn as a mom who allows her young son to cross-dress for a play all feel remarkably authentic. The performers’ “collective connection with the material” makes the staged-reading format barely noticeable, said Amy Lyons in LA Weekly. With help from a backdrop of creatively evocative projections and animations, the simple staging allows each actor to get the most out of the writers’ words, which, despite covering familiar terrain, still manage to create moments that “tug at the heart.”
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
The key financial dates to prepare for in 2025
The Explainer Discover the main money milestones that may affect you in the new year
By Marc Shoffman, The Week UK Published
-
Crossword: December 19, 2024
The Week's daily crossword
By The Week Staff Published
-
Sudoku medium: December 19, 2024
The Week's daily medium sudoku puzzle
By The Week Staff Published
-
If/Then
feature Tony-winning Idina Menzel “looks and sounds sensational” in a role tailored to her talents.
By The Week Staff Last updated
-
Rocky
feature It’s a wonder that this Rocky ever reaches the top of the steps.
By The Week Staff Last updated
-
Love and Information
feature Leave it to Caryl Churchill to create a play that “so ingeniously mirrors our age of the splintered attention span.”
By The Week Staff Last updated
-
The Bridges of Madison County
feature Jason Robert Brown’s “richly melodic” score is “one of Broadway’s best in the last decade.”
By The Week Staff Last updated
-
Outside Mullingar
feature John Patrick Shanley’s “charmer of a play” isn’t for cynics.
By The Week Staff Last updated
-
The Night Alive
feature Conor McPherson “has a singular gift for making the ordinary glow with an extra dimension.”
By The Week Staff Last updated
-
No Man’s Land
feature The futility of all conversation has been, paradoxically, the subject of “some of the best dialogue ever written.”
By The Week Staff Last updated
-
The Commons of Pensacola
feature Stage and screen actress Amanda Peet's playwriting debut is a “witty and affecting” domestic drama.
By The Week Staff Last updated