Clash of the Titans: Is 'fake 3D' a scam?
The blockbuster remake was hastily converted into 3D in postproduction rather than being filmed in the medium in the first place. Does it matter?

Ever since James Cameron's 3D blockbuster Avatar smashed box office records over the winter, Hollywood filmmakers have been scrabbling to capitalize on the new trend - not least because tickets to 3D films sell for more money. But critics are savaging Clash of the Titans, released over the Easter weekend, as a slip-shod postproduction conversion of a 2D film. But it's unclear that moviegoers agree — the title still took in $61.4 million over the weekend. Is Clash of the Titans second rate — and what does it mean for the future of the medium?
We need to call out this fake 3D: No wonder Cameron is angry about this, says Mary Ann Johanson at Film.com. "The time and money and effort" he took to develop 3D technology for Avatar is all up there on screen, in pictures so "beautifully immersive that you feel like you're walking on Pandora." But this "fake 3D" is a cheap trick, "retrofitted" so that you can see "Kraken tentacles flying out at you" but not much else. The studio is just trying to rip you off.
"Should 3-D in postproduction be called something else?"
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Audiences don't mind: Ok, so the "back-engineered" 3D in Clash of the Titans is an "inferior process" to that which created Avatar, says Kevin Carr at Film School Rejects. "But your average moviegoer probably won't even notice the difference." This whole row is just the latest example of "anti-3D sentiment" from old-fashioned film critics who "dismiss it as a gimmick." Meanwhile, the actual moviegoing public is "gobbling up" every 3D movie it can find — including Clash of the Titans, if the early box office figures are any indication.
But someday they will — so we need official standards : Hollywood needs to be wary of a 3D backlash, says Daniel Engber at Slate. If the "ugly, pointless stereo effects" in Clash of the Titans become standard, consumers might "abandon the format altogether, as they did in the 1950s and the 1980s." We need industry standards to be set for the medium, or a "bunch of poorly-made B-movies" could leave Hollywood's "golden goose... strangled in its nest."
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