Public Enemies
Michael Mann zeros in on the final months of John Dillinger's life in this "straight-laced, no-nonsense, shoot-’em-up” gangster movie.
Directed by Michael Mann
(R)
***
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
The final days of Public Enemy No. 1, John Dillinger.
Public Enemies is a “straight-laced, no-nonsense, shoot-’em-up” gangster movie, said Dan Zak in The Washington Post. The real-life escapades of John Dillinger—the infamous bank robber who was shot down in 1934—seem made for director Michael Mann. But the man behind Miami Vice and Heat tells the story in perfunctory fashion. Focusing on the fugitive’s final months, Mann switches between the exploits of Dillinger (Johnny Depp) and the efforts of J. Edgar Hoover (Billy Crudup) and Agent Melvin Purvis (Christian Bale) to capture him. As a chronicle of the parallel rise of celebrity criminals and the FBI, it’s fascinating history, said Keith Phipps in The Onion. But Mann’s telling “feels disappointingly smaller than life.” Instead of delving into Dillinger’s delusional psyche, he “reduces a legendary game” of cops and robbers to the “size of a standard police procedural.” Mann has never been one for psychological realism, said Michael Phillips in the Chicago Tribune. People go to his movies for the “sleek, threatening glamour of crime and punishment,” and that’s what he delivers here.
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
Mountainhead: Jesse Armstrong's tech bro satire sparkles with 'weapons-grade zingers'
The Week Recommends The Succession creator's first feature film lacks the hit TV show's 'dramatic richness' – but makes for a horribly gripping watch
-
Seeing Each Other: Portraits of Artists – a 'riveting' exhibition
The Week Recommends Pallant House exhibition offers fascinating instances of painterly reciprocity
-
Geoff Dyer shares his favourite books on war
The Week Recommends Out of Sheer Rage author chooses works by Martha Gellhorn, Michael Herr and Dexter Filkins