Jon Stewart: Fake news, real impact

Why informed viewers take political satire seriously

What happened

The new Pew Survey on News Consumption found that viewers of “fake news” programs “The Daily Show” and “The Colbert Report” were more knowledgeable about current events than watchers of cable and network news programs. (Editor & Publisher) In the eight years since “The Daily Show” began addressing presidential politics with "Indecision 2000" coverage, the comedy program has become a “genuine cultural and political force,” and anchor Jon Stewart has become one of the nation’s most trusted news personalities. (The New York Times)

Subscribe to The Week

Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

SUBSCRIBE & SAVE
https://cdn.mos.cms.futurecdn.net/flexiimages/jacafc5zvs1692883516.jpg

Sign up for The Week's Free Newsletters

From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.

From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.

Sign up

“Stewart is important because his audience is important,” said Aaron Barnhart in the Kansas City Star’s TV Barn blog. He attracts smart, well-educated young viewers that advertisers crave but conventional news broadcasts no longer reach.

There’s a reason for all this fawning over “The Daily Show,” said Clay Waters in the Media Research Center’s NewsBusters. Like his admirers at The New York Times, Stewart, his show, and his viewers are liberal. Stewart claims to take equal aim at both the left and the right, but he routinely eviscerates the Bush administration and only gently chides Democrats by suggesting “they are wimps who lack the guts to go after the Republicans like they deserve.”

Whatever you make of the man, said Leonard Doyle in the British daily The Independent, “Stewart may be pointing the way to the future of news.” He takes on even “super depressing” stories, such as the Bush administration’s decision to use torture after the Sept. 11 attacks, and combines bluntness and informality with “ruthless editing and a funny bone” to “ensure that stories he wants to cover are watched.”