Review of reviews: Art
Dan Flavin: Constructed Light
Dan Flavin: Constructed Light
Pulitzer Foundation for the Arts, St. Louis
Through Oct. 4
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
Dan Flavin “was the most radical and the most lyrical” of the minimalist sculptors who redefined the form in the 1960s, said David Bonetti in the St. Louis Post-Dispatch. Flavin’s contemporaries strove for maximum simplification by stripping their works of ornament, color, and pattern. He took an opposite tack, filling his sculptures with the “pure joy of color and light.” Flavin’s trademark method of construction was to arrange colored fluorescent tubes into simple intersecting and overlapping patterns. This causes colors to bleed and blend in unexpected ways. The collection of sculptures currently at the Pulitzer Foundation exhibits the range of effects Flavin could achieve. In addition to being a pioneering minimalist, “Flavin led the way in creating environmental or ambient art,” a form that’s now all the rage. One work here is a 180-foot-long piece built of blue and green tubes that “rises gently through the length of the Pulitzer’s main gallery.”
Flavin was obsessed with creating artworks for the settings in which they would be displayed, said Malcolm Gay in the St. Louis Riverfront Times. This exhibition thus raises a “thorny question”—which it doesn’t satisfyingly answer—by transplanting sculptures originally meant to be seen elsewhere. The pedestrian origins of Flavin’s glowing fluorescent lights take on a special meaning in a gritty New York gallery or former industrial settings. By showing them in the sleek modern spaces of the Pulitzer Foundation, the curators of this exhibition “are, in effect, creating new works of art.” So purists may be offended, but the rest of us will prize this chance to tune in to Flavin’s meditative wavelength.
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
UK-India trade deal: how the social security arrangements will work
The Explainer A National Insurance exemption in the UK-India trade deal is causing concern but should British workers worry?
-
Man arrested after 'suspicious' fires at properties linked to Keir Starmer
Speed Read Prime minister thanks emergency services after fire at his former family home in north London
-
Elon Musk's SpaceX has created a new city in Texas
under the radar Starbase is home to SpaceX's rocket launch site
-
If/Then
feature Tony-winning Idina Menzel “looks and sounds sensational” in a role tailored to her talents.
-
Rocky
feature It’s a wonder that this Rocky ever reaches the top of the steps.
-
Love and Information
feature Leave it to Caryl Churchill to create a play that “so ingeniously mirrors our age of the splintered attention span.”
-
The Bridges of Madison County
feature Jason Robert Brown’s “richly melodic” score is “one of Broadway’s best in the last decade.”
-
Outside Mullingar
feature John Patrick Shanley’s “charmer of a play” isn’t for cynics.
-
The Night Alive
feature Conor McPherson “has a singular gift for making the ordinary glow with an extra dimension.”
-
No Man’s Land
feature The futility of all conversation has been, paradoxically, the subject of “some of the best dialogue ever written.”
-
The Commons of Pensacola
feature Stage and screen actress Amanda Peet's playwriting debut is a “witty and affecting” domestic drama.