Paris, je t’aime
Twenty filmmakers offer short meditations on Paris.
Paris, je t'aime, an anthology of six-minute films set in different Paris arrondissements, is 'œlike a box of assorted chocolates,' said Stanley Kauffmann in The New Republic. There are some pieces to savor, and others to spit out. Though all of the movie's 18 set pieces take place in the City of Light, they vary wildly in form and mood. Camerawork ranges from time-lapse images to single, lingering shots, and meaning can be abstract or obvious. Art-house favorites such as Alexander Payne, Alfonso Cuarón, and Gus Van Sant all contribute films. Interestingly, more of the directors are American than French. The simplest shorts tend to be the best, said Stephen Holden in The New York Times. French director Sylvain Chomet's tribute to mimes at the Eiffel Tower, for instance, is a busy disaster that only the most devoted Francophile could enjoy. Frederic Auburtin's drama about a divorcing couple (Gena Rowlands and Ben Gazzara), on the other hand, is 'œa gem of multilayered acting.' Though the movie's success rate is fairly high'”about two of every three'”'œthere are no home runs, only doubles, singles, and coy little bunts.' But with so little screen time, it's not wise to go for big drama, said Gene Seymour in Newsday. 'œBecause humor thrives in tight spaces, the most effective pieces are also the funniest.' Steve Buscemi's wordless acting in the Coen brothers' 'œTuileries,' for example, makes it a masterpiece of short-form comedy.
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
-
Book reviews: ‘Red Scare: Blacklists, McCarthyism, and the Making of Modern America’ and ‘How to End a Story: Collected Diaries, 1978–1998’
Feature A political ‘witch hunt’ and Helen Garner’s journal entries
By The Week US Published
-
The backlash against ChatGPT's Studio Ghibli filter
The Explainer The studio's charming style has become part of a nebulous social media trend
By Theara Coleman, The Week US Published
-
Why are student loan borrowers falling behind on payments?
Today's Big Question Delinquencies surge as the Trump administration upends the program
By Joel Mathis, The Week US Published