Masters of American Comics
Split into two exhibits, this show gives insight into the creators of comic books and allows viewers to compare and witness how one artist inspires another.
Whether you've spent your life poring over the comics or merely used them to line the bird cage, the two-part exhibit Masters of American Comics 'œcontains enough rare and exceptional artwork to ruin any mind,' said Doug Harvey in the LA Weekly. Split between the Hammer Museum and MOCA, the sprawling show contains more than 900 objects. It's a noble attempt to 'œestablish a canon of geniuses for an artistic medium long-despised as inconsequential, or even poisonous.' In this, it succeeds. It's bookended by the 'œundeniably masterful draughtsmanship' of Sunday funnies pioneer Winsor McCay, who drew Little Nemo in Slumberland, and contemporary Chicago graphic auteur Chris Ware's Jimmy Corrigan: The Smartest Kid on Earth. The only inclusion that might rankle is R. Crumb, but anyone who hasn't recognized Crumb as a 'œnational treasure should be locked in a cell with only Cathy to read until they get over it.'
It's worth seeing both halves of the exhibit, said Christopher Knight in the Los Angeles Times. Comic artists, like all artists, often refer to their predecessors. Take the drawings of Jack Kirby at MOCA, which may at first evoke older surrealist painting and Nuclear Age science fiction. But if you've seen the first half of the exhibit, you'll realize that Kirby is actually nodding toward McCay, who took readers on trips 'œthat look like the world seen in the disorienting reflections of a fun-house mirror.' At both museums, installations distinguish between the artists' handmade drawings and those mass-produced, often putting the images side by side for comparison. The exhibit is essentially 15 career retrospectives of groundbreaking artists such as Lyonel Feininger, Chester Gould, Milton Caniff, and Art Spiegelman. 'œIt's a reliable canon of masters.'
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
-
Democrats: How to rebuild a damaged brand
Feature Trump's approval rating is sinking, but so is the Democratic brand
-
Unraveling autism
Feature RFK Jr. has vowed to find the root cause of the 'autism epidemic' in months. Scientists have doubts.
-
'Two dolls': Can Trump sell Americans on austerity?
Feature Trump's tariffs may be threatening holiday shelves but they've handed Democrats a 'huge gift'
-
If/Then
feature Tony-winning Idina Menzel “looks and sounds sensational” in a role tailored to her talents.
-
Rocky
feature It’s a wonder that this Rocky ever reaches the top of the steps.
-
Love and Information
feature Leave it to Caryl Churchill to create a play that “so ingeniously mirrors our age of the splintered attention span.”
-
The Bridges of Madison County
feature Jason Robert Brown’s “richly melodic” score is “one of Broadway’s best in the last decade.”
-
Outside Mullingar
feature John Patrick Shanley’s “charmer of a play” isn’t for cynics.
-
The Night Alive
feature Conor McPherson “has a singular gift for making the ordinary glow with an extra dimension.”
-
No Man’s Land
feature The futility of all conversation has been, paradoxically, the subject of “some of the best dialogue ever written.”
-
The Commons of Pensacola
feature Stage and screen actress Amanda Peet's playwriting debut is a “witty and affecting” domestic drama.