How The Night Of upends everything you think you know about police and prison

The effect is interestingly eerie

Paul Sparks stars in The Night Of.
(Image credit: Craig Blankenhorn/HBO)

There's a sponge-like quality to the second episode of HBO's limited miniseries The Night Of, as the show expands past the detectives' intimate dance with murder-suspect Nasir in the pilot to absorb and wring out the ugly fluids of the entire criminal justice system.

I suggested last week that The Night Of was messing a little with the procedural format by sticking so closely to Nasir — a choice that pretty dramatically reverses the genre's convention of positioning us with the truth-seeking detective. The pilot expressly aligned viewers with the defendant. In so doing, The Night Of stuck us in a weird spot: Primed to watch a procedural and detect some crime, we instead experienced the horror of forensics as they closed around Nasir like a trap.

Subscribe to The Week

Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

SUBSCRIBE & SAVE
https://cdn.mos.cms.futurecdn.net/flexiimages/jacafc5zvs1692883516.jpg

Sign up for The Week's Free Newsletters

From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.

From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.

Sign up
Explore More

Lili Loofbourow is the culture critic at TheWeek.com. She's also a special correspondent for the Los Angeles Review of Books and an editor for Beyond Criticism, a Bloomsbury Academic series dedicated to formally experimental criticism. Her writing has appeared in a variety of venues including The Guardian, Salon, The New York Times Magazine, The New Republic, and Slate.