How Blindspotting challenges its audience to disbelieve stereotypes

By showcasing the complex relationship between a black man and his white best friend, Blindspotting exposes the superficiality of racial molds

Rafael Casal and Daveed Diggs.
(Image credit: Robby Baumgartner)

There's a moment in Blindspotting when, if you were just tuning in, you might assume that an unhinged black man is about to shoot a police officer in cold blood. Collin (Daveed Diggs, most famous for originating the role of Lafayette/Thomas Jefferson in Hamilton on Broadway), donning a tanktop and baggy jeans while rapping about murder and privilege, is pointing a gun at a white cop (Ethan Embry) who is shaking with fear. Collin is enraged and, despite his friend Miles (Rafael Casal) — who is white — pleading with him to stop, Collin refuses to put down his weapon.

But appearances can be deceiving. There's far more to this standoff than an uninitiated viewer would infer. In reality, this scene takes place near the end of the film — and as the plot unfolds to lead us to this breaking point, it challenges its audience to overcome long-ingrained stereotypes that a black man is automatically a menacing figure.

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Candice Frederick

Candice Frederick is a freelance TV/film critic living in New York City. You can find more of her work here.