Shrill normalizes fat people, and that's a good thing

As season two rolls out, a look at why this show is so radical and refreshing

Aidy Bryant.
(Image credit: Allyson Riggs/Hulu)

Shrill's second season opens with its heroine, Annie Easton (Aidy Bryant), sprinting through the night after hurling a flowerpot through the window of her online troll's prized SUV. This vision of a fat woman's body, animated by an adrenalized, exhilarated grace and fury — not a guilty impulse to sweat herself svelte — continues Annie's story of seismic self-revelation. Her body is not unlike my body: Both of us require liberal amounts of chub rub to make it through summer skirt season. We are women who Peter Paul Rubens would paint and Jillian Michaels would punish. Women who look like me on-screen are usually contestants on The Biggest Loser or cautionary sad sacks like This is Us' Kate Pearson (Chrissy Metz), whose main arcs are downward spirals of weight-related shame and surges of determination to finally get thin.

Resisting this narrative about how exactly fat women should be has been deeply lonely and profoundly liberating — sometimes, all at once. Lindy West, whose memoir gives Shrill its name and its plump pumping fist of a heart, is a spiritual Sherpa for me and other aspiringly self-possessed fat women. The show's first season, which debuted in March 2019, felt like a road map of my own escape from a death of a thousand micro-aggressions: Annie tells off rude strangers online or on the street and calls out her mother for a lifetime of diet talk; demands that the scruffily hunky dude who asks her to leave their trysts through the backdoor treat her like a real girlfriend; and avenges herself against her size-biased boss, who says he's only "concerned for her health," by publishing a cri de Couer called "Hello, I'm Fat," and then quitting. The first season is unabashedly about Annie deciding that she will no longer live a stunted half-life spent apologizing for her body — that she will take up as much space as she damn well pleases. She will be fat and loud.

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Laura Bogart

Laura Bogart is a featured writer for Salon and a regular contributor to DAME magazine. Her work has appeared in The Atlantic, CityLab, The Guardian, SPIN, Complex, IndieWire, GOOD, and Refinery29, among other publications. Her first novel, Don't You Know That I Love You?, is forthcoming from Dzanc.