Gwen John: Art and Life in London and Paris review
Exhibition sets out to reframe our perception of the Welsh-born painter

The Welsh-born painter Gwen John is generally remembered as a “fragile”, isolated figure, said Mark Hudson in The Independent. Neglected for some time after her death, John (1876-1939) was rediscovered in the 1980s, when she was reassessed as a reclusive talent overshadowed by two “bombastic male egos”: her brother, the celebrated painter Augustus John; and the great French sculptor Auguste Rodin, with whom she pursued a doomed romance for a decade. This new exhibition sets out to prove that our understanding of John as a solitary melancholic is a misconception. It argues that she was in fact an artist in tune with all the major movements of her day, and a “socially gregarious” character: she befriended James McNeill Whistler and the poet Rilke, met Picasso and Matisse, and enjoyed “numerous same-sex relationships”. The show, at Pallant House in Chichester, brings together 113 works from every stage of John’s career, as well as a wealth of paintings and drawings by friends and contemporaries that shed light on her art and her life. Ultimately, the Gwen John who emerges from this “fascinating” display is “a much odder, more interesting and more radical artist” than anyone might have expected.
John’s art “is never ingratiating or sentimental”, said Alastair Sooke in The Daily Telegraph. There is a mood of “chapel-like austerity” to some of her earlier work. Moving to Paris as a young woman, she specialised in “contemplative, stark interiors” often incorporating “solitary, skinny female figures” in garrets adorned with “lace curtains and wicker chairs”. One highlight is a sepia-hued still life depicting a teapot and some sumptuously rendered china cups in front of a fireplace in a windowless room; another is a “captivating” portrait of Augustus’s lover Dorelia McNeill, a “self-contained yet subtly sensuous” image that eclipses her brother’s “trite” likeness of the same model that is hung alongside. It’s a shame, however, that the paintings aren’t allowed to speak for themselves. The show’s constant insistence that John was done down by the patriarchy becomes tiresome and ultimately unconvincing.
There are some unexpected and rather wonderful images here, said Laura Cumming in The Observer. A Parisian concierge glares out from a portrait with “rancorous gloom”, while a drawing of a nun sees its subject “fairly beaming with humour”. We also see the “beautiful” painting “Girl in a Blue Dress” (c.1914) and a 1909 self-portrait in watercolour, in which the artist leans forward, clutching a letter. Yet there are, unfortunately, a lot of “mediocre” works by John and her contemporaries here, not least some “bafflingly weak” drawings by Rodin. Ultimately, the exhibition “contains and attempts too much”. It’s so eager to explore her social world that it sometimes loses sight of “Gwen John’s singularity”.
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
Pallant House Gallery, Chichester, West Sussex (01243-774557, pallant.org.uk). Until 8 October
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
5 weather-beaten cartoons about the Texas floods
Cartoons Artists take on funding cuts, politicizing tragedy, and more
-
What has the Dalai Lama achieved?
The Explainer Tibet’s exiled spiritual leader has just turned 90, and he has been clarifying his reincarnation plans
-
Europe's heatwave: the new front line of climate change
In the Spotlight How will the continent adapt to 'bearing the brunt of climate change'?
-
Lemon and courgette carbonara recipe
The Week Recommends Zingy and fresh, this pasta is a summer treat
-
Oasis reunited: definitely maybe a triumph
Talking Point The reunion of a band with 'the power of Led Zeppelin' and 'the swagger of the Rolling Stones'
-
Properties of the week: grand rural residences
The Week Recommends Featuring homes in Wiltshire, Devon, and East Sussex
-
Kiefer / Van Gogh: a 'remarkable double act'
The Week Recommends Visit this 'heroic' and 'absurd' exhibition at the Royal Academy until 26 October
-
Mark Billingham shares his favourite books
The Week Recommends The novelist and actor shares works by Mark Lewisohn, John Connolly and Gillian Flynn
-
Heads of State: 'a perfect summer movie'
The Week Recommends John Cena and Idris Elba have odd-couple chemistry as the US president and British prime minister
-
The Red Brigades: a 'fascinating insight' into the 'most feared' extremist group of 1970s Italy
The Week Recommends A 'grimly absorbing' history of the group and their attempts to overthrow the Italian state
-
Jurassic World Rebirth: enjoyable sequel hampered by plot holes
Talking Point The latest dinosaur reboot captures the essence of the original – but leans too heavily on 'CGI-heavy set pieces'