Gwen John: Art and Life in London and Paris review
Exhibition sets out to reframe our perception of the Welsh-born painter

The Welsh-born painter Gwen John is generally remembered as a “fragile”, isolated figure, said Mark Hudson in The Independent. Neglected for some time after her death, John (1876-1939) was rediscovered in the 1980s, when she was reassessed as a reclusive talent overshadowed by two “bombastic male egos”: her brother, the celebrated painter Augustus John; and the great French sculptor Auguste Rodin, with whom she pursued a doomed romance for a decade. This new exhibition sets out to prove that our understanding of John as a solitary melancholic is a misconception. It argues that she was in fact an artist in tune with all the major movements of her day, and a “socially gregarious” character: she befriended James McNeill Whistler and the poet Rilke, met Picasso and Matisse, and enjoyed “numerous same-sex relationships”. The show, at Pallant House in Chichester, brings together 113 works from every stage of John’s career, as well as a wealth of paintings and drawings by friends and contemporaries that shed light on her art and her life. Ultimately, the Gwen John who emerges from this “fascinating” display is “a much odder, more interesting and more radical artist” than anyone might have expected.
John’s art “is never ingratiating or sentimental”, said Alastair Sooke in The Daily Telegraph. There is a mood of “chapel-like austerity” to some of her earlier work. Moving to Paris as a young woman, she specialised in “contemplative, stark interiors” often incorporating “solitary, skinny female figures” in garrets adorned with “lace curtains and wicker chairs”. One highlight is a sepia-hued still life depicting a teapot and some sumptuously rendered china cups in front of a fireplace in a windowless room; another is a “captivating” portrait of Augustus’s lover Dorelia McNeill, a “self-contained yet subtly sensuous” image that eclipses her brother’s “trite” likeness of the same model that is hung alongside. It’s a shame, however, that the paintings aren’t allowed to speak for themselves. The show’s constant insistence that John was done down by the patriarchy becomes tiresome and ultimately unconvincing.
There are some unexpected and rather wonderful images here, said Laura Cumming in The Observer. A Parisian concierge glares out from a portrait with “rancorous gloom”, while a drawing of a nun sees its subject “fairly beaming with humour”. We also see the “beautiful” painting “Girl in a Blue Dress” (c.1914) and a 1909 self-portrait in watercolour, in which the artist leans forward, clutching a letter. Yet there are, unfortunately, a lot of “mediocre” works by John and her contemporaries here, not least some “bafflingly weak” drawings by Rodin. Ultimately, the exhibition “contains and attempts too much”. It’s so eager to explore her social world that it sometimes loses sight of “Gwen John’s singularity”.
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
Pallant House Gallery, Chichester, West Sussex (01243-774557, pallant.org.uk). Until 8 October
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
Music reviews: Bon Iver, Valerie June, and The Waterboys
Feature "Sable, Fable," "Owls, Omens, and Oracles," "Life, Death, and Dennis Hopper"
By The Week US
-
Are bonds worth investing in?
the explainer They can diversify your portfolio and tend to be a safer investment than stocks
By Becca Stanek, The Week US
-
Elon has his 'Legion.' How will Republicans encourage other Americans to have babies?
Today's Big Question The pronatalist movement finds itself in power
By Joel Mathis, The Week US
-
Music reviews: Bon Iver, Valerie June, and The Waterboys
Feature "Sable, Fable," "Owls, Omens, and Oracles," "Life, Death, and Dennis Hopper"
By The Week US
-
Susan Page's 6 favorite books about historical figures who stood up to authority
Feature The USA Today's Washington bureau chief recommends works by Catherine Clinton, Alexei Navalny, and more
By The Week US
-
Book reviews: 'The Thinking Machine: Jensen Huang, Nvidia, and the World's Most Coveted Microchip' and 'Who Is Government? The Untold Story of Public Service'
Feature The tech titan behind Nvidia's success and the secret stories of government workers
By The Week US
-
Mario Vargas Llosa: The novelist who lectured Latin America
Feature The Peruvian novelist wove tales of political corruption and moral compromise
By The Week US
-
Exploring the three great gardens of Japan
The Week Recommends Beautiful gardens are 'the stuff of Japanese landscape legends'
By The Week UK
-
One-pan black chickpeas with baharat and orange recipe
The Week Recommends This one-pan dish offers bold flavours, low effort and minimum clean up
By The Week UK
-
G20: Viola Davis stars in 'ludicrous' but fun action thriller
The Week Recommends The award-winning actress plays the 'swashbuckling American president' in this newly released Prime Video film
By The Week UK
-
6 must-see homes in Boston
Feature Featuring a factory-turned-loft in South Boston and a wraparound roof deck in South End
By The Week US