Film review: Apollo 10½ A Space Age Childhood
A dreamy memoir of a space-mad 1960s childhood
Richard Linklater’s rotoscoped animation, set in 1969, is a low-key but “evocative” story of childhood loosely inspired by the writer-director’s own, said John Nugent in Empire. It is narrated by Jack Black as the adult version of protagonist Stanley (Milo Coy), a dreamer who lives in the suburbs of Houston, and whose father is employed in an admin job at Nasa. Like everyone else, Stanley is obsessed with the forthcoming Apollo 11 Moon mission, but in his account of that year, there was another, secret Moon landing days before it, a test run for which Nasa agents recruited him as the astronaut. The reason: they’d “built the lunar module a little too small”, meaning that only a child could fit inside it. The rotoscope technique involves tracing over live-action film footage, and results in a “strange, hyperreal aesthetic” which is well suited to this film’s blending of reality and fantasy.
With “shrewd storytelling judgement”, Linklater makes Stanley’s “lucid dream” only a small part of what is otherwise an “overwhelmingly real”, but more or less plotless, account of a 1960s childhood, said Peter Bradshaw in The Guardian. His memories of the era are “curated with passionate connoisseurship” – “the ice-cream flavours, the TV shows, the drive-in movies, the schoolyard games, the parents, the eccentric grandparents, the theme park rides, the neighbours, the prank phone calls”.
Linklater has made some “dire” films since Boyhood, his 2014 “masterpiece”, said Kevin Maher in The Times, but Apollo 10½ is a triumphant return to form. Rich with observational detail and saturated in “loving” references to the music, movies and television of the period, “it feels as significant an American memoir as Little House on the Prairie”.
The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
‘A legacy news brand brings a visibility of its own’
Instant Opinion Opinion, comment and editorials of the day
-
8 of the best ‘cozy crime’ series of all time
The Week Recommends Murder mysteries don’t necessarily have to make us miserable, and these shows have perfected a feel-good crime formula
-
Youth revolts rattle Morocco as calls against corruption grow louder
THE EXPLAINER Snowballing controversy over World Cup construction and civic services has become a serious threat to Morocco’s political stability
-
Marisa Silver’s 6 favorite books that capture a lifetime
Feature The author recommends works by John Williams, Ian McEwan, and more
-
Book reviews: ‘We the People: A History of the U.S. Constitution’ and ‘Will There Ever Be Another You’
Feature The many attempts to amend the U.S. Constitution and Patricia Lockwood’s struggle with long Covid
-
Philadelphia’s Calder Gardens
Feature A permanent new museum
-
Mustardy beans and hazelnuts recipe
The Week Recommends Nod to French classic offers zingy, fresh taste
-
Susie Dent picks her favourite books
The Week Recommends The lexicographer and etymologist shares works by Jane Goodall, Noel Streatfeild and Madeleine Pelling
-
6 incredible homes under $1 million
Feature Featuring a home in the National Historic Landmark District of Virginia and a renovated mid-century modern house in Washington
-
The Harder They Come: ‘triumphant’ adaptation of cinema classic
The Week Recommends ‘Uniformly excellent’ cast follow an aspiring musician facing the ‘corruption’ of Kingston, Jamaica
-
House of Guinness: ‘rip-roaring’ Dublin brewing dynasty period drama
The Week Recommends The Irish series mixes the family tangles of ‘Downton’ and ‘Succession’ for a ‘dark’ and ‘quaffable’ watch