Aaron Bady
Aaron Bady is a founding editor at Popula. He was an editor at The New Inquiry and his writing has appeared in The New Yorker, The New Republic, The Nation, Pacific Standard, The Los Angeles Review of Books, and elsewhere. He lives in Oakland, California.
Latest articles by Aaron Bady
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Fire in Paradise is 40 minutes of terror
feature You might not want to watch this one. You might not be wrong.
By Aaron Bady Published
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How aristocrats ate prestige TV
opinion It's making me feel nostalgic for the old era's difficult men
By Aaron Bady Published
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How Ready or Not escaped The Hunt's fate
feature A movie where wealthy elites hunt poor people that wasn't canceled amid partisan outrage
By Aaron Bady Published
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The problem with Succession's half-baked class politics
opinion The show might not hate super-rich people as much as you think it does
By Aaron Bady Published
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The anti-nostalgic power of Derry Girls
feature The Netflix series is a refreshing counter to coming-of-age clichés
By Aaron Bady Published
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Superheroes, they're just like us
feature Does Amazon's The Boys have anything freshly subversive to say about the comic-book genre?
By Aaron Bady Published
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The future of Trumpism is more erudite — and just as frightening
opinion Is Josh Hawley putting a scholarly twist on Trump's xenophobia?
By Aaron Bady Published
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Netflix's Taco Chronicles is deliciously predictable
feature It's a food documentary that hits all the familiar beats. And it sends an unavoidably political message in the process.
By Aaron Bady Published
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Why Stranger Things' nostalgia isn't quite as magical in season 3
feature An immovable object being pulled by an irresistible force
By Aaron Bady Published
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What's missing in Spider-Man: Far from Home
The Explainer The original Avengers movies tapped into the zeitgeist. The new Spider-Man only taps into the Marvel Cinematic Universe.
By Aaron Bady Published
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Roger Ailes and the liberal myth of the conservative genius
opinion What The Loudest Voice misses about the conservative machine
By Aaron Bady Published
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How Big Little Lies subverts the murder mystery
feature Season 2 of the HBO series shows what comes after the case is 'solved'
By Aaron Bady Published
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What The Last Black Man in San Francisco, a movie ostensibly about gentrification, leaves out about gentrification
opinion A beautiful movie, with a puzzlingly apolitical point of view
By Aaron Bady Last updated
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The danger of knowing one thing about the Central Park Five
opinion How Ava DuVernay's When They See Us gets beyond guilty or innocent
By Aaron Bady Published
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The Deadwood movie shows there's still a big difference between films and prestige TV
feature A two-hour film, no matter how well executed, was never going to match the storytelling of the show
By Aaron Bady Published
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Is Chernobyl historically accurate about the things that matter?
feature The HBO mini-series is painstakingly accurate about certain historical details, but also takes a number of narrative liberties
By Aaron Bady Last updated
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What Fleabag's 'hot priest' storyline gets so right about sex and love
feature A perfect show somehow got even better with its (surprisingly hopeful) second season
By Aaron Bady Last updated
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Game of Thrones' last big reveal
feature A story built on what the audience doesn't see has one big question remaining
By Aaron Bady Published
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