Babygirl: Nicole Kidman stars in 'riveting' erotic thriller
'The sex and the silliness' is quite fun, but it's 'ploddingly predictable stuff'

"Cementing her status as Hollywood's boldest actress, Nicole Kidman bares herself every which way – physically, emotionally and artistically – in 'Babygirl'", Halina Reijn's erotic thriller about a kinky workplace affair, said Tom Shone in The Sunday Times.
She plays Romy, a CEO who cheats on her theatre-director husband (Antonio Banderas) when she falls for Samuel (Harris Dickinson), an intern newly arrived at her firm.
'Subtle-as-smoke'
Be warned: the film takes its lovers "to the edge of destruction, and its audience to the edge of embarrassment" – at one point, Kidman is seen "crawling around on all fours, lapping at a saucer as if she were a cat" – but it's as riveting as it is squirm-inducing, and Kidman has found the ideal collaborator in Dickinson, who proves to be a master of "subtle-as-smoke line readings". Just be sure not to go "with your children, or your parents, or with a date".
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
'Ploddingly predictable'
Kidman gives a "brave, exposed performance", said Wendy Ide in The Observer, but it's a pity that her character is "a thinly written collection of urges rather than a fully fleshed out" person. As for the film itself, it tries painfully hard "to be provocative" – but feels "more synthetic and mannered than spontaneous and transgressive. For all its silky shots of tantalising erotic ecstasy and Kidman's gorgeously luxe wardrobe, it's ploddingly predictable stuff."
It's all pretty "preposterous", said Matthew Bond in The Mail on Sunday, like "Fifty Shades of Grey" with echoes of Steven Soderbergh's "Secretary", but "with the distinct risk of a 'Fatal Attraction'-style comeuppance".
And while "the sex and the silliness" is quite fun, "how Kidman is picking up awards nominations for this defeats me. For taking off her clothes at the age of 57? In 2025? Really?"
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
5 thin-skinned cartoons about shooting the messenger
Cartoons Artists take on unfavorable weather, a look in the mirror, and more
-
Is Trump's new peacemaking model working in DR Congo?
Talking Point Truce brokered by the US president in June is holding, but foundations of a long-term peace have let to be laid
-
A tour of southern Greenland
The Week Recommends New international airport has given this 'bucolic' island a welcome boost
-
A tour of southern Greenland
The Week Recommends New international airport has given this 'bucolic' island a welcome boost
-
Bonnie Blue: taking clickbait to extremes
Talking Point Channel 4 claims documentary on the adult performer's attention-grabbing sex stunts is opening up a debate
-
Broccoli and lentil salad with curried tahini and dates recipe
The Week Recommends Flavoursome and healthy, this creamy salad is perfect as part of a mezze
-
Savages: a tragi-comedy set in a 'quirky handcrafted world'
The Week Recommends This new animated film by Oscar-nominated filmmaker Claude Barras is undeniably political, but it has a hopeful message
-
Merryn Somerset Webb chooses five books on how the world works
The Week Recommends The financial columnist picks works by Peter Turchin, Adam Smith and Christopher Clark
-
6 sturdy post-and-beam homes
Feature Featuring a wood stove in New York and hand-hewn beams in New Hampshire
-
The Naked Gun: 'a dumb comedy of the expert kind'
The Week Recommends Liam Neeson shows off his comedy chops in this reboot of Leslie Nielsen's crime spoof
-
King of Kings: 'excellent' book examines Iran's 1979 revolution and its global impacts
The Week Recommends Scott Anderson 'easily and elegantly' paints a picture of a century of Iran's history