The Surfer: a 'bonkers, sun-scorched psychodrama'
Nicolas Cage excels in this psychological thriller set in Australia
There's no film star quite like Nicolas Cage, said Jonathan Dean in The Sunday Times. During his untethered 40-year career, Cage has become the go-to actor for feverish madness tinged with melancholy – and in the Irish director Lorcan Finnegan's new thriller, he delivers "at full tilt".
This "unashamedly lurid and pulpy B-movie" is about a divorcee businessman (Cage) who returns to his native Australia after decades in California, hoping to buy the clifftop house in which he grew up, said Wendy Ide in The Observer. But when he takes his teenage son to the beach to try some surfing, he falls foul of the Bay Boys, an aggressive gang of local surfers who refuse to let these outsiders anywhere near the surf, and confine Cage to the car park. Humiliated and smarting, our hero resolves to take on the bullies – setting the scene for some fantastically trashy Cage-led mayhem in a film that touches on themes such as toxic masculinity, but has nothing profound to say about them.
Before long, the beta-male businessman has been "beaten, stripped of his every possession, sunburnt and psychologically broken to the point of mania", said Kevin Maher in The Times. And as his confinement seems to become "insuperable, the car park acquires symbolic significance, like purgatory". There are elements of Beckett too, with Cage as the "hopeless clown" forced to recognise the meaninglessness of his existence. Luckily, the 61-year-old star's "gonzo" performance rescues the film from such "pretensions". "The Surfer" is "ultimately Point Break on crystal meth", with Cage as the Keanu Reeves character, circling the surfer posse and "oddly beguiled by their feral charm"; and overblown as it is, this "bonkers, sun-scorched psychodrama" is tremendously entertaining.
The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
Political cartoons for January 11Cartoons Sunday’s political cartoons include green energy, a simple plan, and more
-
The launch of the world’s first weight-loss pillSpeed Read Novo Nordisk and Eli Lilly have been racing to release the first GLP-1 pill
-
Six sensational hotels to discover in 2026The Week Recommends From a rainforest lodge to a fashionable address in Manhattan – here are six hotels that travel journalists recommend for this year
-
Courgette and leek ijeh (Arabic frittata) recipeThe Week Recommends Soft leeks, tender courgette, and fragrant spices make a crisp frittata
-
Avatar: Fire and Ash – third instalment feels like ‘a relic of an earlier era’Talking Point Latest sequel in James Cameron’s passion project is even ‘more humourless’ than the last
-
The Zorg: meticulously researched book is likely to ‘become a classic’The Week Recommends Siddharth Kara’s harrowing account of the voyage that helped kick-start the anti-slavery movement
-
The Housemaid: an enjoyably ‘pulpy’ concoctionThe Week Recommends Formulaic psychological horror with Sydney Sweeney is ‘kind of a scream’
-
William Nicholson: a ‘rich and varied’ exhibitionThe Week Recommends The wide-ranging show brings together portraits, illustrations, prints and posters, alongside ‘ravishing’ still lifes
-
Oh, Mary! – an ‘irreverent, counter-historical’ delightThe Week Recommends Mason Alexander Park ‘gives the funniest performance in town’ as former First Lady Mary Todd Lincoln
-
The ultimate films of 2025 by genreThe Week Recommends From comedies to thrillers, documentaries to animations, 2025 featured some unforgettable film moments
-
Into the Woods: a ‘hypnotic’ productionThe Week Recommends Jordan Fein’s revival of the much-loved Stephen Sondheim musical is ‘sharp, propulsive and often very funny’