The Assassin: action-packed caper is 'terrific fun'
Keeley Hawes stars as a former hitwoman drawn out of retirement for 'one last job'
"The Assassin" is an "absolute cracker", said Tom Peck in The Times. Comedy thrillers are hard to "pull off" but Amazon's new six-part show is an "education in how it should be done".
Keeley Hawes stars as Julie, a former hitwoman who is living a quiet life on a Greek island when she's "drawn out of retirement for one last job". To make things even more stressful, her son Edward (Freddie Highmore) has just come to visit her for the first time in four years.
Weaving together "thrills and laughs" in "very quick succession", episode one sees the pair take a break from a "full-on massacre", during which Edward asks his "blood-spattered, gun-toting mother: 'Are you really not going to tell me why you're some kind of perimenopausal James Bond?'"
The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
Show creators Harry and Jack Williams ("The Tourist") have successfully breathed new life into a "familiar formula", said Pat Stacey in The Irish Independent. Packed with "corkscrew twists" and "enough shady characters to block out the Greek sun", it's "terrific fun".
"Stylish, witty" and "tightly written", the show is "perfectly crafted preposterousness", said Lucy Mangan in The Guardian. Hawes becomes even more "impressive" with every role she takes on, this time trading "barbed exchanges" with Highmore, her "nimble and perfectly pitched" son.
The pair's "spiky chemistry is off the charts", said Emily Baker in The i Paper. But the plot moves along at such a "zippy pace" that I found it difficult to keep up with the "tangled mess of storylines".
The set-up is a little "stilted", ticking off "every cliché in the book" in the first episode, said Rebecca Nicholson in the Financial Times. By the second instalment, though, the show "settles into solidly entertaining potboiler territory".
There's usually a lull in the summer television schedule, so this "tongue-in-cheek action caper" is a very "welcome" addition, said Anita Singh in The Telegraph. Yes, there are some "logical inconsistencies" and the pace "slackens" after the first two episodes. "Don't think too hard about it. Just enjoy the ride."
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
Irenie Forshaw is a features writer at The Week, covering arts, culture and travel. She began her career in journalism at Leeds University, where she wrote for the student newspaper, The Gryphon, before working at The Guardian and The New Statesman Group. Irenie then became a senior writer at Elite Traveler, where she oversaw The Experts column.
-
‘The worry is far from fanciful’Instant Opinion Opinion, comment and editorials of the day
-
How are Americans bracing for the end of SNAP?TODAY'S BIG QUESTION Millions depend on supplemental federal food funds that are set to expire this month, as the government shutdown begins to be acutely felt
-
Book review: ‘Joyride: A Memoir’Feature A journalist’s story of how she chased and accomplished her dreams
-
The 7 best police procedurals of all timeThe Week Recommends There’s more to cops and robbers than just nabbing the bad guy at the end of the show
-
7 of the best narco TV series of all timeThe Week Recommends From Colombia to the California suburbs, every drug kingpin has a familiar and tragic trajectory
-
8 of the best ‘cozy crime’ series of all timeThe Week Recommends Murder mysteries don’t necessarily have to make us miserable, and these shows have perfected a feel-good crime formula
-
Frauds: ‘fantastically stylish’ heist caper is ‘damn good fun’The Week Recommends Suranne Jones and Jodie Whittaker play a pair of ex-cons planning one last job
-
Black Rabbit: slick crime thriller set in a high-end New York restaurantThe Week Recommends Two Manhattan brothers resort to ‘ever-more high-stakes’ schemes to tackle ‘huge’ gambling debts in the ‘glossy’ series
-
Slow Horses is back for an ‘impeccable’ fifth seasonThe Week Recommends Jackson Lamb is ‘tetchier’ than ever and the script is ‘as sharp as they come’
-
Bookish: delightful period detective drama from Mark GatissThe Week Recommends 'Cosy crime' series is a 'standout pleasure' in an Agatha Christie-style formula
-
Adolescence and the toxic online world: what's the solution?Talking Point The hit Netflix show is a window into the manosphere, red pills and incels