TV to watch in July, from 'Lady in the Lake' to 'Mastermind: To Think Like a Killer'
A docuseries for 'Mindhunter' fans, a Roland Emmerich epic and Natalie Portman's TV lead debut
While June marked the return of several hit TV series, July presents a more original slate. This month's releases are dark in nature, with a common theme of disappearances and grisly murders. They include a docuseries about a serial killer hunter, an imagining of the gladiator lifestyle and an exploration of debauchery during the bubonic plague.
'Sunny' (July 10)
Based on the novel "The Dark Manual" by Colin O'Sullivan, "Sunny" is an expat story with a sci-fi twist. It stars Rashida Jones as Suzie, an American living abroad in Japan and mourning the apparent deaths of her husband and son in a plane crash. The titular Sunny is a robot gifted to Suzie by her late husband's electronic company, intended to help with domestic duties and keep her company. But as the two strike up a bond, they begin working together to uncover the mysteries of her loved ones' disappearances. "The series is juggling a lot of themes and tones, and surprisingly almost all of them work," said RogerEbert.com. (Apple TV+)
'Mastermind: To Think Like A Killer' (July 11)
If you are hopefully awaiting the return of David Fincher's "Mindhunter," new docuseries "Mastermind: To Think Like a Killer" may quench your true crime thirst. The series delves into the career of Ann Burgess, a researcher and clinical nurse specialist at the FBI who has studied the behavioral patterns of serial killers and interviewed men like Ted Bundy, Montie Rissell and Ed Kemper. An oft-unsung heroine, Burgess has been the "mastermind" behind many modern serial killer profiling innovations, noticing patterns and developing tools to help catch criminals. (Hulu)
The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
'Those About to Die' (July 18)
Director Roland Emmerich ("Independence Day," "The Day After Tomorrow") knows how to craft a violent and adrenaline-packed epic — and if you are one of those strange people who ponder the Roman Empire daily, this may just be the show for you. Based on a book of the same name, "Those About to Die" is about gladiators in ancient Rome fighting for their lives in the arena. It'll be difficult to rival Ridley Scott's "Gladiator" (2000), but a series will have more time to unpack the complex business of this entertaining and thankfully-defunct blood sport. Anthony Hopkins stars as Roman Emperor Vespasian, and several other real historical figures round out the story. (Peacock)
'Lady in the Lake' (July 19)
Natalie Portman is the latest film actress to join the ranks of prestige television in "Lady in the Lake," an adaptation of a mystery novel. Directed by Alma Har'el ("Honey Boy") and set in the 1960s, the series follows Portman's character Maddie, a housewife with dreams of becoming an investigative journalist. She finds a story worth pursuing with the death of Cleo (Moses Ingram), a "mother navigating the political underbelly of Black Baltimore while struggling to provide for her family," said the series' official description. "'Lady in the Lake' emerges as a feverish noir thriller and an unexpected tale of the price women pay for their dreams." (Apple TV+)
'The Decameron' (July 25)
"You are cordially invited to a wine-soaked sex romp in the Italian countryside." Could there be a better invitation to watch a show than this one, from Netflix's Tudum series announcement? Dark comedy "The Decameron" takes place in 1348 as the Black Death ravages Europe. A coterie of nobles decide to hide away in a lavish villa to wait out the storm and indulge in all manner of hedonistic pleasures. "The series examines the all-too-timely theme of class struggles in the season of a pandemic, as a cast of misfits tries to outlast the bubonic plague," the announcement added. (Netflix)
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
Anya Jaremko-Greenwold has worked as a story editor at The Week since 2024. She previously worked at FLOOD Magazine, Woman's World, First for Women, DGO Magazine and BOMB Magazine. Anya's culture writing has appeared in The Atlantic, Jezebel, Vice and the Los Angeles Review of Books, among others.
-
Grok in the crosshairs as EU launches deepfake porn probeIN THE SPOTLIGHT The European Union has officially begun investigating Elon Musk’s proprietary AI, as regulators zero in on Grok’s porn problem and its impact continent-wide
-
‘But being a “hot” country does not make you a good country’Instant Opinion Opinion, comment and editorials of the day
-
Why have homicide rates reportedly plummeted in the last year?Today’s Big Question There could be more to the story than politics
-
The 8 best animated family movies of all timethe week recomends The best kids’ movies can make anything from the apocalypse to alien invasions seem like good, wholesome fun
-
The best dark romance books to gingerly embrace right nowThe Week Recommends Steamy romances with a dark twist are gaining popularity with readers
-
The 8 best horror series of all timethe week recommends Lost voyages, haunted houses and the best scares in television history
-
The 8 best biopic movies of the 21st century (so far)the week recommends Not all true stories are feel good tales, but the best biopics offer insight into broader social and political trends
-
Down with Uno, up with this exciting collection of one-of-a-kind travel gamesThe Week Recommends Game on!
-
7 hotels known for impeccable serviceThe Week Recommends Your wish is their command
-
In Okinawa, experience the more tranquil side of JapanThe Week Recommends Find serenity on land and in the sea
-
The 8 best spy movies of all timethe week recommends Excellence in espionage didn’t begin — or end — with the Cold War
