John Oliver warns against the well-intentioned horrors of PACE home renovation loans

The Property Assessed Clean Energy (PACE) program "was originally designed to provide low-income homeowners a way to make their homes more environmentally friendly," but there are "huge problems" with it, mostly that it could cost you your home, John Oliver said on Sunday's Last Week Tonight. PACE loans started in California, and Missouri and Florida have active programs, too, but the other states considering starting their own PACE initiatives — New York and Ohio, say — should stop, he said, "because when PACE loans go wrong, they can go very wrong."

"Unfortunately, the story of PACE is a cautionary tale about how good intentions, when not paired with careful, smart design, can end in disaster," Oliver said. There are several companies that offer PACE loans, but "the majority of actual sales to customers are done by individual contractors who will be performing the renovations — and think about what that means for a moment," he said. "The people with responsibility for pitching a very complicated financial product, a pseudo-loan that's technically a tax lien, are contractors, whose training is not in finance," and crucially, there's no independent energy audit to determine if the renovations will, in fact, pay for themselves through lower energy bills.

Subscribe to The Week

Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

SUBSCRIBE & SAVE
https://cdn.mos.cms.futurecdn.net/flexiimages/jacafc5zvs1692883516.jpg

Sign up for The Week's Free Newsletters

From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.

From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.

Sign up
Peter Weber, The Week US

Peter has worked as a news and culture writer and editor at The Week since the site's launch in 2008. He covers politics, world affairs, religion and cultural currents. His journalism career began as a copy editor at a financial newswire and has included editorial positions at The New York Times Magazine, Facts on File, and Oregon State University.