Pangram: Can we trust AI detectors?

The tool can be helpful and harmful

Simbarashe Steyn Kundizeza
Simbarashe Steyn Kundizeza denies using AI to write
(Image credit: Linkedin)

AI is causing “a crisis of trust” in publishing, said Vauhini Vara in The Atlantic. Earlier this month, Zimbabwean writer Simbarashe Steyn Kundizeza won the prestigious Caine Prize for African Writing—worth $13,000—for a short story that “has all the personality of a chatbot.” That may not be coincidental: Pangram, an artificial-intelligence-powered AI detection tool, flagged “almost the entire story as AI-generated.” Kundizeza is not the first award recipient to be flagged by Pangram; it deemed one of the winning stories in this year’s Commonwealth Short Story Prize to have been entirely authored by AI. Kundizeza says his story, “The Blue Fighter,” is “entirely my work.” Pangram is reputed to be “highly accurate”—the company claims its tool misidentifies AI use in just 1 out of 24,000 cases—but it’s not infallible. So who should we trust? The author or Pangram?

This is exactly the “chaos” that publishers feared, said Anna Silman in The Wall Street Journal. Publishing houses have tried to crack down on AI usage by authors, inserting strict clauses into book deals and leaning on Pangram to vet manuscripts. But “a new AI scandal engulfing” the industry seemingly every month is “forcing a reckoning over the nature of authorship.” The Big Five publishing houses—Simon & Schuster, Penguin Random House, Hachette, HarperCollins, and Macmillan—have been reluctant to “make sweeping pronouncements about” the technology, possibly because they’re waiting to see if people care whether the books they’re reading are AI-generated or AI-assisted, “especially in genres like fantasy and sci-fi.” Meanwhile, many writers feel that a contract clause “that relies on the honor system lacks the teeth necessary to combat” intellectual dishonesty.

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