Lili Loofbourow
Lili Loofbourow is the culture critic at TheWeek.com. She's also a special correspondent for the Los Angeles Review of Books and an editor for Beyond Criticism, a Bloomsbury Academic series dedicated to formally experimental criticism. Her writing has appeared in a variety of venues including The Guardian, Salon, The New York Times Magazine, The New Republic, and Slate.
Latest articles by Lili Loofbourow
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Westworld is globalizing
The Explainer The show's boundaries are blurring: not just for the park, but for the bodies and personalities within them
By Lili Loofbourow Published
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Thanos is America
opinion On the troubling American paternalism of Avengers: Infinity War
By Lili Loofbourow Last updated
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The mysterious Christian symbolism of Westworld
The Explainer Who is Judas?
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The lessons of Bill Cosby's dizzying downfall
opinion Bill Cosby is finished. But real change has only just begun.
By Lili Loofbourow Published
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Killing Eve's lethal femininity
The Explainer Let's talk about hair, clothes, and murder
By Lili Loofbourow Last updated
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Westworld is playing a new game
The Explainer Look who's having fun now
By Lili Loofbourow Published
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The 15 biggest questions going into Westworld's second season
The Explainer Why did Walter need more milk?
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Legion is finally starting to make sense
The Explainer The show's second season, while no less weird than the first, is done playing coy
By Lili Loofbourow Published
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Silicon Valley is better without T.J. Miller
The Explainer The fifth season proves Miller was only holding the series' terrific ensemble back
By Lili Loofbourow Published
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The brutal referendum of Paterno
The Explainer The real star of this HBO movie is our habit of not-knowing about rape
By Lili Loofbourow Last updated
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How Chappaquiddick rewrites the Great Man Tragedy
The Explainer John Curran's new film is a revealing interrogation of Ted Kennedy
By Lili Loofbourow Published
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The emptiness of Ready Player One
The Explainer Steven Spielberg's latest movie is clear about the various cinematic universes it references. But its moral universe? That's a different story.
By Lili Loofbourow Last updated
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The Americans is still the best show on television
The Explainer The first episode in the show's final season delivers
By Lili Loofbourow Published
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The new Roseanne is unexpectedly good
The Explainer How the reboot skillfully navigates its extremely difficult premise
By Lili Loofbourow Last updated
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Lost on Wes Anderson's Isle of Dogs
The Explainer The director's new movie is gorgeous to look at. Otherwise, it's a mess.
By Lili Loofbourow Published
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The biggest liar of The Assassination of Gianni Versace
The Explainer Why, it's the show itself of course. And that's okay.
By Lili Loofbourow Last updated
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A Wrinkle in Time isn't very good. That's okay.
opinion This movie is a beautiful mess. Please don't take any political or cultural lessons from that.
By Lili Loofbourow Published
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Jessica Jones' second season might be even better than the first
The Explainer The show's revisionist theory of superheroism deepens
By Lili Loofbourow Published
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Frances McDormand's cryptic Oscars speech could start a revolution in Hollywood
The Explainer With two powerful words, she told her fellow actors how to weaponize their own contracts to demand diversity and equality
By Lili Loofbourow Published
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Will the #MeToo movement upend the Oscars' red carpet charade?
The Explainer What if this year, people talk about stuff that actually matters, instead of what people are wearing?
By Lili Loofbourow Last updated
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Bewildered in Atlanta
The Explainer On the purposeful indifference of the second season of Donald Glover's acclaimed series
By Lili Loofbourow Published
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Heather Graham's #MeToo comedy needs to be taken seriously
The Explainer It's an incisive, semi-autobiographical send-up of how women survive Hollywood
By Lili Loofbourow Published
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Fifty Shades and the secret compromises of women
opinion There's a reason this retrograde fantasy is so popular
By Lili Loofbourow Last updated
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Inside Black Panther's all-black universe
The Explainer This movie is a conversation between black people — and that's what makes it so good
By Lili Loofbourow Published
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