
Lili Loofbourow
Lili Loofbourow is the culture critic at TheWeek.com. She's also a special correspondent for the Los Angeles Review of Books and an editor for Beyond Criticism, a Bloomsbury Academic series dedicated to formally experimental criticism. Her writing has appeared in a variety of venues including The Guardian, Salon, The New York Times Magazine, The New Republic, and Slate.
Latest articles by Lili Loofbourow
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Why Bill Cosby walked freeopinion The crux of this case was credibility. And we're awash in templates that hold women to absurd standards of behavior — and dismiss them as dishonest when they fail.
By Lili Loofbourow Published
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We should care more about the Bill Cosby trial. Why don't we?The Explainer How the bombshell story of the fall of America's Dad became an afterthought
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46 TV shows to watch in 2017The Explainer Looking for something to watch? Let The Week be your guide.
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Why is TV awash in afterlives, hells, and purgatories?The Explainer The supernatural is taking over television
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How Orange is the New Black pulls off its riskiest season yetThe Explainer What is a prison when the inmates are in charge?
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Why Wonder Woman is the new Indiana Jonesfeature More than a superhero movie, this is an adventure film, and a really, really good one
By Lili Loofbourow Last updated
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Why The Leftovers' gently suicidal mood is perfect for this age of American declineopinion What The Leftovers knows about our secret desire to abdicate power
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The extraordinary ordinariness of The Americans finaleThe Explainer Tick tick ... tick tick ... tick tick ... tick tick ... tick tick ... Tune in next season for the boom! (Maybe.)
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The Baywatch movie isn't sexyThe Explainer These bodies are almost too perfect to be real
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How Johnny Depp became a pirateThe Explainer The man who once played the gentle, repressed Gilbert Grape has become totally consumed by Captain Jack Sparrow — on and off the screen
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Something is going on with The AmericansThe Explainer But what? No one knows ...
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Why Twin Peaks is a bad mystery but a great soap operaThe Explainer Let's talk about Laura Palmer, the hardest-working dead girl in TV history
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The profound despair of The Americansfeature This is not a happy show
By Lili Loofbourow Published
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How Better Call Saul fixed Breaking Bad's Skyler ProblemThe Explainer Everyone loves Kim on Better Call Saul. Everyone hated Skyler on Breaking Bad. Here's the difference.
By Lili Loofbourow Last updated
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How I Love Dick lustily celebrates the art of female desirefeature This series renders desire so well that by the end, you might love Dick too
By Lili Loofbourow Last updated
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The Americans forever hold their peaceThe Explainer A recap of season five, episode 10
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Master of None refuses to wallowThe Explainer The new season of Aziz Ansari's Netflix show takes on longing without making you want to die
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American Gods is good at gore and even better at grieffeature The TV adaptation of Neil Gaiman's novel specializes in bloodletting with a purpose
By Lili Loofbourow Published
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The ghosts that haunt The AmericansThe Explainer Stan wishes the dead would just be dead. But that's not how it works. They linger on.
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Sisyphus in Silicon ValleyThe Explainer If it wasn't crystal clear before, it's obvious now that the HBO series — amusingly laden as it is with grandiose fantasies of genius and merit and Making It — is dedicated not to empire-building but to the comical drudgery of rote repetition
By Lili Loofbourow Published
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How Hulu's The Handmaid's Tale succumbed to the feminist curse
The Explainer Why are we so afraid to call this a feminist story?
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Claudia's plot on The Americans: A theory
The Explainer I'm concerned
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Fargo's third season is a gory pleasurefeature It manages to feel both unique and delightfully familiar at the same time
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The Americans' dilemma: Spy or dieThe Explainer Is there life after spying? It sure doesn't seem like it ...
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