Lili Loofbourow
Lili Loofbourow is the culture critic at TheWeek.com. She's also a special correspondent for the Los Angeles Review of Books and an editor for Beyond Criticism, a Bloomsbury Academic series dedicated to formally experimental criticism. Her writing has appeared in a variety of venues including The Guardian, Salon, The New York Times Magazine, The New Republic, and Slate.
Latest articles by Lili Loofbourow
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The camera is getting sneakier on The Americans
The Explainer We've seen too much
By Lili Loofbourow Published
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Louis CK's new special is called 2017. So why does it feel so old?
The Explainer Why the schlubby comedy innovator's first stand-up act in the age of Trump falls flat
By Lili Loofbourow Published
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The Americans is failing its sons
The Explainer A recap of "Lotus," the fifth episode of The Americans' fifth season
By Lili Loofbourow Last updated
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How S-Town is upending the art of podcasting
feature The show is more than a podcast. It's a brilliant piece of creative nonfiction.
By Lili Loofbourow Published
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What other shows can learn from Big Little Lies' spectacular finale
feature What a mind-shattering ending
By Lili Loofbourow Last updated
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Big Little Lies turns satire on the viewer — and the results are terrific
feature These characters are more than just "Real Housewives"
By Lili Loofbourow Last updated
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I have questions for Legion. Lots and lots of questions.
The Explainer Does anyone know what's actually happening on this show?
By Lili Loofbourow Published
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Regarding Henry — and The Americans' other lost threads
The Explainer A recap of season 5, episode 4: "What's the matter with Kansas?"
By Lili Loofbourow Published
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The inexplicable horrors of Life
The Explainer This horror movie makes no sense. It's still really scary.
By Lili Loofbourow Published
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Grace and Frankie needs a crisis
The Explainer Now that the heroines seem to be done recovering from their respective divorces, the Netflix series has a problem
By Lili Loofbourow Published
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Can The Americans tie up its loose ends?
The Explainer Last's night "The Midges" offers good reason to think the show can and will
By Lili Loofbourow Published
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The ballad of Hannah and Adam
The Explainer Girls has thrived in the gray areas. Will it finish in black and white?
By Lili Loofbourow Published
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Let's talk about the weird psychosexual energy in Beauty and the Beast
The Explainer This movie is weird. Really, really weird.
By Lili Loofbourow Last updated
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The Americans has spent years whispering. Now it's starting to shout. That's a good thing.
The Explainer One of the quietest shows on television is really starting to make noise
By Lili Loofbourow Last updated
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What The Idiot teaches us about the failures of language
The Explainer Reflections on Elif Batuman's brilliant mess of a novel
By Lili Loofbourow Published
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How The Sense of an Ending intelligently veers from the book
The Explainer How's this for a Hollywood twist? The movie ditches the big reveal and gives depth to the supporting characters.
By Lili Loofbourow Last updated
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The Americans recap: You are what you eat
The Explainer The season five premiere of the FX series isn't about obligations, self-fulfillment, or even lies. It's about hunger.
By Lili Loofbourow Last updated
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The tangled tale of two Italian literary giants
The Explainer This is the story of two Italian authors writing back-and-forth novels about a broken family
By Lili Loofbourow Last updated
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How Feud captures the delicious, malicious world of Hollywood gossip
feature FX's new anthology series is an exquisite ode to the tabloids
By Lili Loofbourow Last updated
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The upside of the Academy Awards' embarrassing Best Picture blunder
The Explainer By helping each other through a public relations disaster, Moonlight and La La Land vanquished the rivalry into which they'd been forced
By Lili Loofbourow Last updated
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The Oscars used to be about art. Now they're about gratuitous luxury, and it's gross.
opinion The red carpet has killed the Oscars
By Lili Loofbourow Published
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Why Carrie Fisher and Debbie Reynolds couldn't stay apart
feature HBO's documentary Bright Lights highlights the intimacy between the famous mother and daughter
By Lili Loofbourow Published
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It's time to retire the Oscars' 'Best Picture'
opinion This vaunted category is absurdly blunt and meaninglessly broad
By Lili Loofbourow Published
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The empty military pornography of The Great Wall
The Explainer If you want pageantry and spectacle, The Great Wall delivers. Just don't expect it to mean much.
By Lili Loofbourow Last updated
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