The fashion for flowers: Constance Spry

An exhibition at London’s Garden Museum celebrates Spry’s taste for modernity

Bust with a necklace of lilies by Constance Spry, c.1935 (RHS Lindley Collections)
Bust with a necklace of lilies by Constance Spry, c.1935
(Image credit: RHS Lindley Collections)

In November 1928, a Mayfair floral display created a furore. Two years prior, the heritage perfumer Atkinsons London had commissioned architect Vincent Harris to erect its flagship, a towering edifice in the Gothic revival style, located where Old Bond Street crosses with Burlington Gardens. To furnish the ground floor boutique, Atkinsons had called upon Norman Wilkinson, the artist and theatre designer. In turn, Wilkinson asked his friend Constance Spry to conceive the arrangements to bloom in the shop windows. And so it was that flowers drew crowds of such numbers that the police had to be drafted in, for Spry had an idiosyncratic take on her métier.

For this commission, she mixed bright green cymbidium orchids with red-brown foliage, foraged hedgerow flowers, weeds, clematis seed heads and brambles, blackberries ripening. Defying tradition, Spry found beauty in the often overlooked, and mixed freely, a practice that was to become her signature. Dotted with rare hothouse blooms, grasses, berries, hops, wild clematis, kale and pussy willows have all featured in Spry arrangements.

Subscribe to The Week

Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

SUBSCRIBE & SAVE
https://cdn.mos.cms.futurecdn.net/flexiimages/jacafc5zvs1692883516.jpg

Sign up for The Week's Free Newsletters

From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.

From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.

Sign up
Explore More