Maïwenn Le Besco: the ‘eyebrow-raising’ director behind Johnny Depp’s comeback
The controversial director remains unapologetic about casting Depp so soon after his bitter defamation trial
Cannes Film Festival has come under fire for selecting a film starring Johnny Depp as its opener this year, less than a year after the actor won a bitter defamation trial against his ex-wife Amber Heard.
Just as controversial as the film’s place at the top of the famed festival’s running order, however, is the director behind the film, Maïwenn Le Besco.
“Jeanne du Barry” centres on a commoner’s climb to become the favourite consort of King Louis XV of France, played by Depp. As well as directing the film, Le Besco, who goes by the mononym Maïwenn in her native France, stars as du Barry.
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
Her own climb to the top of French cinema has been a long one, featuring twists and turns every bit as compelling as the intrigues of the eponymous character she plays in her latest film.
Who is Maïwenn?
Maïwenn was born in 1976 in the Paris suburb of Les Lilas and was pushed into showbiz by her artist mother, Catherine Belkhodja, according to the story she later told in her stand-up show “Le Pois Chiche”.
Despite her initial reservations about a career as an actor, Maïwenn found early success with a major role in Jean Becker’s “L’été meurtrier” (One Deadly Summer) in 1983 alongside Isabelle Adjani.
At the age of just 16, she married director Luc Besson, who was 17 years her senior, and they had a daughter together. The pair had met when she was 12, The Washington Post reported, and she later said his film, “Leon: The Professional”, which introduced the world to Natalie Portman at the age of 11, was based on their relationship.
Maïwenn then had roles in several other Besson films including the worldwide blockbuster “The Fifth Element” (1997).
After her divorce, Maïwenn reinvented herself as a stand-up comedian “to much acclaim”, France Today said. However, she soon returned to acting and then turned her hand to directing.
Her most successful early film was “Polisse” in 2011, which earned her the Jury Prize at Cannes. Then in 2015, her film “Mon roi” (My King), which took her a decade to complete, was selected to compete for the Palme d’Or at Cannes.
Today she has become a “vocal opponent of #MeToo”, The Washington Post said, and is going through “her own round of being accused of attacking a French journalist in a restaurant, pulling his hair and spitting in his face”. She admitted to assaulting him on the chat show “Quotidien”.
“As one of France’s most discussed figures, she has never shied away from publicity, whether good or bad, and her latest exploits seem entirely true to form,” said The Telegraph.
‘At loggerheads’ with Johnny Depp
Maïwenn has faced questions over her decision to cast Depp in her most recent film, in a role that, according to The New York Times, could rehabilitate his career. “Why him? Because I wanted to work with him,” she told Screen Daily. “And better to be loyal to one’s desire than loyal to one’s… Frenchness.”
The announcement that a film with Depp in a leading role would be screening after the Cannes opening ceremony “sparked division online”, The New York Times said, with some criticising the festival organisers, and the hashtag #CannesYouNot was soon circulating.
Maïwenn responded she knew she would face some backlash, but never wavered, even amid the actor’s legal difficulties.
“Of course I questioned it, but I decided [the Depp-Heard case] was his private life and I couldn’t bring judgement because we saw it was one word against the other, so the best way out of it was to say, ‘It’s none of my business,’” she said.
Rumours have subsequently circulated that Depp and his director were “at loggerheads throughout filming”, said The Telegraph, and that “she cut most of his dialogue as a result”.
She half-denied the assertion: “For me, as someone who wants a less talky film, it’s fascinating to see everything that Johnny conveys through his face, his gaze. Like a silent actor.”
How the film will be received remains to be seen but “whether it is a masterpiece, a flop or anything in between”, said The Telegraph, “Maïwenn is likely to continue to remain one of the most talked-about figures in contemporary French cinema… And that, you suspect, is exactly how she likes it.”
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
Arion McNicoll is a freelance writer at The Week Digital and was previously the UK website’s editor. He has also held senior editorial roles at CNN, The Times and The Sunday Times. Along with his writing work, he co-hosts “Today in History with The Retrospectors”, Rethink Audio’s flagship daily podcast, and is a regular panellist (and occasional stand-in host) on “The Week Unwrapped”. He is also a judge for The Publisher Podcast Awards.
-
Wicked fails to defy gravity
Talking Point Film version of hit stage musical weighed down by 'sense of self-importance'
By Tess Foley-Cox Published
-
Today's political cartoons - November 20, 2024
Cartoons Wednesday's cartoons - mountaineering, an even match, and more
By The Week US Published
-
Kimpton Everly Hotel: the perfect base to explore Hollywood
The Week Recommends Escape the bustle of LA at this laidback bolthole
By Caroline Dolby Published
-
Why is recasting so difficult?
In The Spotlight Switching much-loved characters can cause confusion – and spark a backlash
By Irenie Forshaw, The Week UK Published
-
The Apprentice: will biopic change how voters see Donald Trump?
Talking Point 'Brutal' film depicts presidential candidate raping first wife Ivana, but some critics believe portrayal is surprisingly sympathetic
By Chas Newkey-Burden, The Week UK Published
-
Cannes controversies: the film festival's history of feuds and fallouts
In Depth Now in its 77th edition, the festival has been the scene of famous dramas, both on and off screen
By Adrienne Wyper, The Week UK Published
-
Why Cannes 2024 is shaping up to be the most dramatic yet
In the Spotlight Organisers face controversies on multiple fronts, from a potential stand-off with Iran to rumours of a 'secret list' of industry predators
By Rebecca Messina, The Week UK Published
-
All in the family: honoring Norman Lear, the godfather of the American sitcom
the explainer Lear revolutionized television and brought us memorable characters like Archie Bunker and George Jefferson
By Theara Coleman, The Week US Published
-
Róisín Murphy: Irish singer in puberty blockers row
Moloko star voiced concern over the use of medication by transgender children
By Richard Windsor Published
-
Timothée Chalamet: the making of a global superstar
Why Everyone’s Talking About The American-French actor has transformed from art-house actor to blockbuster star and fashion icon
By Richard Windsor Published
-
Mick Jagger: five things you might not know about the octogenarian rockstar
Why Everyone’s Talking About The rock legend will celebrate his 80th birthday at a lavish party in London
By Felicity Capon Published