The Apprentice: will biopic change how voters see Donald Trump?
'Brutal' film depicts presidential candidate raping first wife Ivana, but some critics believe portrayal is too sympathetic

A new film dramatising Donald Trump's rise to fame and fortune has provoked everything from an eight-minute standing ovation in Cannes to threats of legal action from the former president.
"The Apprentice", which opens in UK cinemas this week, examines Trump's career as a property mogul in New York in the 1970s and 1980s, mentored by the infamously ruthless lawyer Roy Cohn. It includes the disclaimer that portions were "fictionalised for dramatic purposes", said The Guardian, but the film nevertheless had to overcome "numerous roadblocks" to even get made.
'Most brutal Trump biopic imaginable'
Most controversially, "The Apprentice" contains a scene in which Trump, played by Marvel actor Sebastian Stan, sexually assaults his first wife Ivana (Maria Bakalova).
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
In real life, she claimed during divorce proceedings that Trump had raped her but later downplayed the claim. In a 1993 statement, she said: "On one occasion during 1989, Mr Trump and I had marital relations in which he behaved very differently towards me than he had during our marriage. As a woman I felt violated… I referred to this as a rape, but I do not want my words to be interpreted in a literal or criminal sense."
It is, said Rolling Stone, "the most brutal Donald Trump biopic imaginable". Even without the "sickening" rape scene – presented unequivocally as "non-consensual, violent and a criminal act" – the film would still feel like a "damning portrait".
That might explain why Hollywood institutions were reluctant to finance the project, why it faced multiple legal threats from the Trump camp, and why the biggest investor, billionaire (and Trump supporter) Dan Snyder, allegedly threatened to kill it. He had been "under the impression that it was a flattering portrayal of the 45th president," said Variety. But when Snyder saw a final cut, he was "furious". The "cease-and-desist letters began flying".
On Truth Social this week Trump called it a "cheap, defamatory and politically disgusting hatchet job" designed to thwart his campaign for the US election.
Trump's campaign communications director has also threatened legal action, to "address the blatantly false assertions from these pretend filmmakers", who "readily admit they fabricated scenes and created fake stories to fit some deranged narrative". Steven Cheung said in a statement: "This garbage is pure fiction which sensationalises lies that have been long debunked."
The film's director Ali Abbasi had previously told Vanity Fair that the filmmakers did not "get too anal about details and what's right and what's wrong". But screenwriter Gabriel Sherman told Entertainment Weekly that the "most shocking" moments in the film are "actually completely based on real events. "Very little has been dramatised," said Sherman, who has covered Trump for 20 years as a property reporter. "It's one of these stories where the truth is stranger than fiction."
'Almost shockingly sympathetic'
"The Apprentice" does portray Trump as "a rapist, a liar and a sketchy businessman who stiffs just about everyone", said Politico's Michael Schaffer. But it is "an almost shockingly sympathetic depiction". Rather than a "born psychopath", the character is a "striver who gradually loses his humanity". While there is plenty to "absolutely horrify" Trump's supporters, the character of Trump is "tragic, not evil".
"This is not a hit job on Trump," said Deadline. It is a portrait of a man "striving for the approval of a tough-love father, unsure but determined to succeed" – and he comes across as "even oddly charming at times".
Financing for the film actually "fell apart" several times because the depiction was deemed by liberal figures to be "too sympathetic" towards Trump, the director told NPR.
The film "felt emotionally true", said Tony Schwartz, co-author of Trump's book "The Art of the Deal", in The New York Times. "The Apprentice" is less about how Trump rose to power than "the generational impact of his family's trauma and dysfunction".
Nevertheless, this is a "muddy exercise in Trumpology that never answers the biggest question it raises", said Shirley Li in The Atlantic. What does chronicling Trump's origins tell us about "one of the most documented and least mysterious men" in recent history?
That is ultimately the film's undoing, said The Telegraph, and perhaps why it has "flopped", making a mere $1.6 million on its opening weekend in the US. It is unlikely to make any difference to the election, because the real Trump is already "familiar to every single voter".
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
Chas Newkey-Burden has been part of The Week Digital team for more than a decade and a journalist for 25 years, starting out on the irreverent football weekly 90 Minutes, before moving to lifestyle magazines Loaded and Attitude. He was a columnist for The Big Issue and landed a world exclusive with David Beckham that became the weekly magazine’s bestselling issue. He now writes regularly for The Guardian, The Telegraph, The Independent, Metro, FourFourTwo and the i new site. He is also the author of a number of non-fiction books.
-
Today's political cartoons - May 4, 2025
Cartoons Sunday's cartoons - deportation, Canadian politeness, and more
-
5 low approval cartoons about poll numbers
Cartoons Artists take on fake pollsters, shared disapproval, and more
-
Deepfakes and impostors: the brave new world of AI jobseeking
In The Spotlight More than 80% of large companies use AI in their hiring process, but increasingly job candidates are getting in on the act
-
Film reviews: The Accountant 2 and The Shrouds
Feature A number cruncher crushes a new set of bad guys and mourners buy a view into their loved ones' graves
-
Some film franchises keep cranking out sequels and reboots. These are the ones that do it best.
the week recommends 'Shrek 5' is upon us. What other movie series have deserved this many follow-ups?
-
Kneecap: the Belfast rappers courting controversy
In the Spotlight Trio, known for anti-British views and fierce support for Palestine, under fire for alleged call to murder MPs
-
5 films as rip-roaringly good as the books they are based on
The Week Recommends These movies stack up well against the source material
-
And the Oscar goes to … no one in particular: Movies made with AI can now win awards
Under the radar Generative AI is no longer a barrier to acclaim
-
Film reviews: Sinners and The King of Kings
Feature Vampires lay siege to a Mississippi juke joint and an animated retelling of Jesus' life
-
The Israeli army's 'tourist hikes' in occupied Golan Heights
Under The Radar 'Provocative' twice-daily tours into territory seized from Syria have quickly sold out
-
Smithsonian under fire: Trump orders an ideological purge
Review The president has issued an executive order to control Smithsonian exhibits and restore removed statues linked to slavery