Nice Fish
Two buddies sit on a frozen lake ruminating on matters big and small.
Guthrie Theater, Minneapolis
(612) 377-2224
**
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
At the very least, this play’s got “ample whimsy,” said Dominic P. Papatola in the St. Paul, Minn., Pioneer Press. A collaboration between Tony-winning actor Mark Rylance and Duluth poet Louis Jenkins, it uses ice fishing as a metaphor for life as two buddies—played by Rylance and Jim Lichtscheidl—aim to hook one last big one before the season ends. As the two sit on a frozen lake ruminating on matters big and small, “Jenkins’s poems comprise the bulk of the piece,” at least until the friends are visited by a park ranger and, more surreally, a Norse goddess and her snowmobiling boyfriend. Unfortunately, “floating on a cloud of images and ideas is a levitating act that can take you only so far” before you start to crave a story. There’s simply “not enough narrative” in Nice Fish. It “calls to mind a charming dinner guest who lingers one glass of wine longer than you’d like.”
Certain scenes “scream to be trimmed,” said Graydon Royce in the Minneapolis Star-Tribune. And just when you think the play is climaxing, “it drifts aimlessly” into new territory. Yet in a show that examines the messiness of life, “this sprawling mayhem is, in effect, the message.” Nice Fish isn’t for everyone, but it “amazes with its bravery.” Think of it as a late-season snowstorm: “We can either shut ourselves away from it, or run outside for one last winter romp.”
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
Why more and more adults are reaching for soft toys
Under The Radar Does the popularity of the Squishmallow show Gen Z are 'scared to grow up'?
By Chas Newkey-Burden, The Week UK Published
-
Magazine solutions - December 27, 2024 / January 3, 2025
Puzzles and Quizzes Issue - December 27, 2024 / January 3, 2025
By The Week US Published
-
Magazine printables - December 27, 2024 / January 3, 2025
Puzzles and Quizzes Issue - December 27, 2024 / January 3, 2025
By The Week US Published
-
If/Then
feature Tony-winning Idina Menzel “looks and sounds sensational” in a role tailored to her talents.
By The Week Staff Last updated
-
Rocky
feature It’s a wonder that this Rocky ever reaches the top of the steps.
By The Week Staff Last updated
-
Love and Information
feature Leave it to Caryl Churchill to create a play that “so ingeniously mirrors our age of the splintered attention span.”
By The Week Staff Last updated
-
The Bridges of Madison County
feature Jason Robert Brown’s “richly melodic” score is “one of Broadway’s best in the last decade.”
By The Week Staff Last updated
-
Outside Mullingar
feature John Patrick Shanley’s “charmer of a play” isn’t for cynics.
By The Week Staff Last updated
-
The Night Alive
feature Conor McPherson “has a singular gift for making the ordinary glow with an extra dimension.”
By The Week Staff Last updated
-
No Man’s Land
feature The futility of all conversation has been, paradoxically, the subject of “some of the best dialogue ever written.”
By The Week Staff Last updated
-
The Commons of Pensacola
feature Stage and screen actress Amanda Peet's playwriting debut is a “witty and affecting” domestic drama.
By The Week Staff Last updated