Roger Ebert, 1942–2013

The critic who gave cinema a big thumbs-up

Roger Ebert could determine a movie’s fortunes with a thumbs-up or -down, but he liked to expand on his judgments with mordant wit. “No matter what they’re charging to get in, it’s worth more to get out,” he wrote of Armageddon, for instance. Ebert never lost his love for cinema in 46 years of reviewing, and once said he imagined an afterlife featuring “Citizen Kane and vanilla Häagen-Dazs ice cream.”

Ebert embraced journalism in childhood, said the Chicago Sun-Times, publishing a neighborhood newspaper from his parents’ basement. He edited newspapers in high school and at the University of Illinois before being offered a part-time job in 1966 at the Sun-Times; a year later he was named the newspaper’s film critic. Movie criticism had, until then, been a “backwater of journalism,” but Ebert’s appointment coincided with a “period of unprecedented creativity” in American cinema.

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