Reeves’ rough days on the road
Martha Reeves, who with Martha & the Vandellas scored such Motown hits as “Heat Wave” and “Dancing in the Street,” said the movie Dreamgirls really missed the mark.
For Martha Reeves, there was little glamour during the heyday of Motown, but plenty of fear, says Lisa Robinson in Vanity Fair. The movie Dreamgirls and other depictions of the iconic Detroit music genre really miss the mark, says Reeves, who with Martha & the Vandellas scored such hits in the 1960s as “Heat Wave” and “Dancing in the Street.” In truth, the pay was lousy and the conditions on the road horrendous—especially in the South. “We played horrible places on the chitlin circuit, not that dreamland they showed in the movie,” she says. The racism was terrifying. Once, she recalls, a gas station owner pointed a shotgun in her face when she got off the bus to use a restroom. “He was right there with the gun saying, ‘Don’t another one of you niggers get off that bus.’ We said, ‘We want to use the restroom.’ But he called the sheriff and said, ‘These niggers are trying to take over my filling station.’ He didn’t know we were down there to make music. He thought we were Freedom Riders.” And yet, Reeves says the hatred often melted away when the band hit the stage. “When we started singing, people would change. Once we sang the music, people would turn into warm human beings—as opposed to people putting the dogs on you and chasing you around with billy clubs.”
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
Create an account with the same email registered to your subscription to unlock access.
-
Antony Gormley's Time Horizon – a 'judgmental army' of 100 cast-iron men
The Week Recommends Sculptures are 'everymen questioning the privilege of their surroundings' at the Norfolk stately home
By Adrienne Wyper, The Week UK Published
-
'King's horses take free rein through London'
Today's Newspapers A roundup of the headlines from the US front pages
By The Week Staff Published
-
Is pop music now too reliant on gossip?
Talking Point Taylor Swift's new album has prompted a flurry of speculation over who she is referring to in her songs
By Richard Windsor, The Week UK Published