‘Dia’s Andy: Through the Lens of Patronage’

A show of Andy Warhol’s paintings, sculptures, films, and memorabilia

Eighteen years after his death, Andy Warhol's stature has only increased, said Benjamin Genocchio in The New York Times. A silkscreen of Elizabeth Taylor he made in 1963 sold for $12.6 million at Sotheby's New York last month, while his influence stretches to nearly every celebrated artist today. This show of his paintings, sculptures, films, and memorabilia is a 'œshrine to the ever-growing worldwide cult of this contemporary-art saint.' It revolves around 30 silkscreen celebrity portraits'”of Liza Minnelli, Farrah Fawcett, Aretha Franklin, and Truman Capote, among others'”which 'œadd a welcome note of color, lightness, and sociability' to Dia:Beacon's temple of minimalist art. They also help contextualize the important permanent Warhol installation there, 'œShadows' (1978'“79), a series of atypical paintings that seem like abstract color studies.

Warhol established the new art persona'”as a cryptic, wide-eyed, socially selective scene-maker'”as much as he determined the latest art fixations, said Elisa Pritzker in the Poughkeepsie, N.Y., Journal. He changed the way 'œwe perceive mass culture,' by making the ephemeral photographs of news and celebrity magazines seem permanent and monumental. As if to make the point literal, portraits are displayed against wallpaper he designed featuring a repeated sketch of the Washington Monument.

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