Man Up and Sleeping with Other People: Why are rom-coms no longer mainstream?

Two standout crowd-pleasers from the Tribeca Film Festival show that the genre has plenty of steam

Man Up
(Image credit: (STUDIOCANAL LTD & BBC FILMS LTD))

There was a time, not so long ago, when the box office was practically overrun by romantic comedies. But as a slew of "death of the rom-com" stories has indicated, the genre's mainstream heyday seems to be behind it. This year has seen the wide release of just one movie that can plausibly be described as a romantic comedy — The Wedding Ringer — which is to be followed by May's Aloha and July's Trainwreck.

Where are all the rom-coms? Improbably, they're popping up at film festivals, where movies that used to command the mainstream now play to a smaller, more select crowd. Two of the biggest crowd-pleasers of the Tribeca Film Festival were Man Up and Sleeping with Other People, both of which offer the kind of love stories that have been sorely absent from the box office. And in good news for rom-com fans, both have already been picked up for wider distribution later this year.

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Scott Meslow

Scott Meslow is the entertainment editor for TheWeek.com. He has written about film and television at publications including The Atlantic, POLITICO Magazine, and Vulture.