Jaws in the age of Trump

Revisiting the nihilistic fable that launched a thousand blockbusters

The book is quite different from the movies.
(Image credit: ScreenProd / Photononstop / Alamy Stock Photo)

The other night, I took a swim on a moonlit beach in South Carolina. It was past midnight, the water untroubled by breakers, and the steamy humidity that chokes the South in the summertime was gentle as a kiss. The starlight illuminated every grain of sand. I took off my clothes and dove into the water, feeling, for a moment, completely in tune with the world. Then I thought, Wait. Isn't this a little too familiar?

I was thinking not of a past experience, but of a movie — a scene from cultural memory that had become, for me as for millions of others, more vivid than reality. The carefree young woman takes off her clothes and dives into the water. She exposes her vulnerability to the world: vulnerability in the form of a female body. The predator feels her approach. And then, it seems, because she can be devoured, she is.

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Sarah Marshall's writings on gender, crime, and scandal have appeared in The Believer, The New Republic, Fusion, and The Best American Nonrequired Reading 2015, among other publications. She tweets @remember_Sarah.