Manor at the National Theatre: a ‘breathtakingly inept’ satire
New ‘state-of-the-nation’ drama mystifies, bores and slowly enrages

“Some plays are so awful that they almost become enjoyable,” said Clive Davis in The Times. Others, like the National Theatre’s new “state-of-the-nation” drama Manor, merely mystify, bore and slowly enrage.
Moira Buffini is the writer of previous hits including Dinner, and the film The Dig, but her latest play (directed by her sister Fiona) is “breathtakingly inept” – a misfiring satire that “lurches from one improbable scene to another before sinking with all hands”.
Its setting is a decrepit manor house, said Dominic Cavendish in The Daily Telegraph. A storm is raging outside, and as the waters rise, the house’s grand owner gives refuge to a crew of diverse but one-dimensional characters, including a gay vicar, a black nurse from London, and the leader of a far-right group called Albion. The set-up promises a hint of “peculiarity”. Alas, the play quickly descends into a pantomime of “editorialising ding-dong between rival emissaries of traditionalist and multicultural Britain”.
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
One assumes this “turkey” was intended as satire, said Arifa Akbar in The Guardian, but it wobbles uneasily between drama, farce and murder mystery with “dystopian disaster movie optics thrown in”. It’s clear, for instance, that the racism and misogyny of the far-right leader are being parodied; but this feels crass and gratuitous against the prevailing “saggy sitcom vibe”. There are “limp jabs” against “the wealthy 1%” and “hormonal white men”; there’s a lesbian kiss which seemingly “aspires to be radical”; even climate change is awkwardly wedged in.
Of course, the house beset by a storm is “meant to represent Britain falling apart”, said Patrick Marmion in the Daily Mail. “But really it is just a pretext for the men to spout sub-Nietzschean supremacist twaddle.” There “is wittering about Islamic takeovers. The nurse warns darkly that they are ‘clinging to the laws of the future’. What does that mean? Who knows?”
Manor may be a play only “right-wing nutjobs” will understand; but the real question is, how on earth did the Buffinis persuade the National to stage this “chaos”?
Lyttelton, National Theatre, London SE1 (nationaltheatre.org.uk/shows/manor). Until 1 January
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
China looms large over India and Pakistan's latest violence
IN THE SPOTLIGHT Beijing may not have had troops on the ground, but as South Asia's two nuclear powers bared their teeth over Kashmir, China eyed opportunity in its own backyard
-
Where the new Pope Leo XIV stands on various issues
The Explainer The first American pontiff is expected to continue some of his predecessor's work
-
What's wrong with America's air traffic control systems?
Today's Big Question The radios and radar keep going out at Newark International
-
In search of paradise in Thailand's western isles
The Week Recommends 'Unspoiled spots' remain, providing a fascinating insight into the past
-
Dark chocolate macadamia cookies recipe
The Week Recommends These one-bowl cookies will melt in your mouth
-
6 charming homes in Rhode Island
Feature Featuring an award-winning home on Block Island and a casket-making-company-turned-condo in Providence
-
Titus Andronicus: a 'beautiful, blood-soaked nightmare'
The Week Recommends Max Webster's staging of Shakespeare's tragedy 'glitters with poetic richness'
-
The Alienation Effect: a 'compelling' study of the émigrés who reshaped postwar Britain
The Week Recommends Owen Hatherley's 'monumental' study is brimming with 'extraordinary revelations'
-
The Four Seasons: 'moving and funny' show stars Steve Carell and Tina Fey
The Week Recommends Netflix series follows three affluent mid-50s couples on a mini-break and the drama that ensues
-
Thunderbolts*: Florence Pugh stars in 'super-silly' yet 'terrific' film
The Week Recommends This is a Marvel movie with a difference, featuring an 'ill-matched squad of antiheroes'
-
Nashville dining: Far more than barbecue and hot chicken
Feature A modern approach to fine-dining, a daily-changing menu, and more