The Chairs review: the theatre of the absurd at its ‘most absurdist’

The 1952 ‘absurdist masterpiece’ by Eugène Ionesco is now on at the Almeida

Kathryn Hunter and Marcello Magni
Kathryn Hunter and Marcello Magni: ‘spine-shiveringly good’

It’s 25 years since London was treated to Théâtre de Complicité’s “superlative account” of The Chairs, the 1952 “absurdist masterpiece” by Eugène Ionesco, said Dominic Cavendish in The Daily Telegraph. That version starred Geraldine McEwan and Richard Briers as the nonagenarian couple, marooned on a water-logged island, and fetching more and more chairs for a stream of invisible guests.

In this superb new Almeida production, which equals and perhaps even outshines the 1997 show, the leads are two Complicité veterans: Kathryn Hunter and Marcello Magni. “For casually brilliant buffoonery and sweet grotesquery, Hunter and Magni, dressed to the nines in a buttoned-up archaic fashion, make an unbeatable double-act.” And they are well served by another Complicité alumnus, Toby Sedgwick, as the intrusive stage-hand who makes “multiple funny-business interruptions”.

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