Great Expectations review: BBC One’s new adaptation of the Dickens classic
There is much to enjoy in this series, but it feels a bit ‘needless’
There have been at least 18 prominent adaptations of Great Expectations since the invention of the moving image, said Nick Hilton in The Independent. “That’s Pip upon Pip, Magwitch upon Magwitch, Miss Havisham upon Miss Havisham.” Now, “for no discernible reason”, the BBC is treating its viewers to a new one, this time scripted by the Peaky Blinders supremo Steven Knight. The results, alas, are only so-so.
The drama follows the adventures of Pip (Tom Sweet as a boy, Fionn Whitehead later), the orphan from the Kent marshes who is thrust into the orbit of Miss Havisham (Olivia Colman). Aspects of Knight’s telling of Dickens’s classic are “familiar” (there are the usual images of stopped clocks and wedding dresses); but he has innovated by, for instance, having his characters make liberal use of the F-word. I didn’t dislike this version; there is much to enjoy in it. But it feels a bit “needless”.
Great Expectations? More like “Woke Desecrations”, said Christopher Stevens in the Daily Mail. This dire series butchers Dickens’s book, doing away with his poetic language and ruining key characters (innocent Pip, for instance, is here presented as an insolent adolescent). And while Colman is “the saving” of the series, her Miss Havisham is imagined as “a drug-addled opium smoker”, which is plainly “imbecilic”.
The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
I found the adaptation perfectly fine, said Lucy Mangan in The Guardian. We don’t need another Great Expectations, of course. But as we wait for a better one, this one will pass the time well enough.
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
Employees are branching out rather than moving up with career minimalismThe explainer From career ladder to lily pad
-
‘It is their greed and the pollution from their products that hurt consumers’Instant Opinion Opinion, comment and editorials of the day
-
Jane Austen lives on at these timeless hotelsThe Week Recommends Here’s where to celebrate the writing legend’s 250th birthday
-
‘Mexico: A 500-Year History’ by Paul Gillingham and ‘When Caesar Was King: How Sid Caesar Reinvented American Comedy’ by David Margolickfeature A chronicle of Mexico’s shifts in power and how Sid Caesar shaped the early days of television
-
Homes by renowned architectsFeature Featuring a Leonard Willeke Tudor Revival in Detroit and modern John Storyk design in Woodstock
-
Film reviews: ‘Hamnet,’ ‘Wake Up Dead Man’ and ‘Eternity’Feature Grief inspires Shakespeare’s greatest play, a flamboyant sleuth heads to church and a long-married couple faces a postmortem quandary
-
We Did OK, Kid: Anthony Hopkins’ candid memoir is a ‘page-turner’The Week Recommends The 87-year-old recounts his journey from ‘hopeless’ student to Oscar-winning actor
-
The Mushroom Tapes: a compelling deep dive into the trial that gripped AustraliaThe Week Recommends Acclaimed authors team up for a ‘sensitive and insightful’ examination of what led a seemingly ordinary woman to poison four people
-
Turner: The Secret Sketchbooks – a fascinating portrait of the great painterThe Week Recommends BBC2 documentary examines the rarely seen sketchbooks of the enigmatic artist
-
‘Chess’feature Imperial Theatre, New York City
-
‘Notes on Being a Man’ by Scott Galloway and ‘Bread of Angels: A Memoir’ by Patti Smithfeature A self-help guide for lonely young men and a new memoir from the godmother of punk