Bird: Andrea Arnold's 'strange, beguiling and quietly moving' drama
Barry Keoghan stars in 'fearless' film combining social and magical realism

It's been nearly a decade since the Kent-born writer-director Andrea Arnold last made a feature film, said Dave Calhoun in Time Out: after 2016's "American Honey", she dived into a load of TV directing work in the US and, in 2021, she made the "arresting, experimental" documentary "Cow". Now, for "Bird", she has returned to the "suburban edgelands of Kent" that were the setting of her breakout film "Fish Tank".
Nykiya Adams plays 12-year-old Bailey, who lives in a squat with her chaotic, "tattooed-to-the-eyeballs" dad (Barry Keoghan). Early one morning, she meets Bird (played by the German actor Franz Rogowski), a "spirit-like, compassionate outsider" who spends his time perching on buildings, and who gradually reveals to Bailey that he has mysterious magical powers. Swerving between "upsetting, dark realism and something much more magical, even quasi-biblical", the film skilfully balances "a fearless focus on life's tough realities with a hefty dollop of teary sentiment".
"The best that you can hope from any filmmaker is creative ambition and the capacity to take big swings with their material," said Kevin Maher in The Times. With "Bird", Arnold has taken "her biggest swing yet". Fans of her "gritty canon" may hate the film, "because it lives in that tricky place where social and magical realism collide", but I found it "by turns strange, beguiling and quietly moving".
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
Its setting is bleak, yet "'Bird' finds beauty and wonder in every frame", said Wendy Ide in The Observer. "The film celebrates rather than judges its erratic and occasionally challenging characters. It's the closest Andrea Arnold has come to a feelgood flick."
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
Princess cake: 'sexy' Swedish dessert has a moment
The Week Recommends The retro layered cake is selling fast in bakeries and hip restaurants around the world
-
Pros and cons of a wealth tax
Pros and Cons Raising revenue and tackling inequality vs. the risk of capital flight and reduced competitiveness
-
The best film prequels of all time
The Week Recommends Balancing new information with what the audience already knows is a perilous tightrope
-
The best film prequels of all time
The Week Recommends Balancing new information with what the audience already knows is a perilous tightrope
-
One great cookbook: 'The Cook You Want to Be'
The Week Recommends And the way you want to eat — now
-
Lemon and courgette carbonara recipe
The Week Recommends Zingy and fresh, this pasta is a summer treat
-
Oasis reunited: definitely maybe a triumph
Talking Point The reunion of a band with 'the power of Led Zeppelin' and 'the swagger of the Rolling Stones'
-
6 helpful (and way cute) phone accessories
The Week Recommends Answer the call of style
-
Kiefer / Van Gogh: a 'remarkable double act'
The Week Recommends Visit this 'heroic' and 'absurd' exhibition at the Royal Academy until 26 October
-
Mark Billingham shares his favourite books
The Week Recommends The novelist and actor shares works by Mark Lewisohn, John Connolly and Gillian Flynn
-
Properties of the week: grand rural residences
The Week Recommends Featuring homes in Wiltshire, Devon, and East Sussex