Dìdi review: 'cool and downbeat' coming-of-age drama
This joyful, nostalgic drama is set in noughties California
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
You are now subscribed
Your newsletter sign-up was successful
Set in noughties California, this "affecting" coming-of-age drama follows a Taiwanese-American 13-year-old boy as he attempts to fit in with the local kids "despite feeling different in many ways", said Victoria Luxford in City AM.
Nicknamed Dìdi (and played by Izaac Wang), he spends his time skating, longing for girls and grappling with the burgeoning social media age. The film's "cultural markers, such as flip phones and a late 2000s version of YouTube", might instil a certain nostalgia for a less sophisticated age in some viewers. Mostly, however, "Dìdi" is "about being a kid and experiencing the many pitfalls of youth". Wang "gets into the character brilliantly", and there are some "fine supporting performances" too, such as from former Twin Peaks star Joan Chen as Dìdi's "overwrought mother, struggling to manage the family in the absence of her husband", who is working back in Taiwan. Based on writer-director Sean Wang's own childhood, this is a raw, uncompromising and "intensely personal" portrayal of growing up.
I found it "an absolute joy", said Deborah Ross in The Spectator. "Funny, moving and authentic", "Dìdi" "takes you right back to being 13. (Agh!)." The film, it's true, "doesn't especially break new ground" – we watch Dìdi have his "first proper run-in with alcohol"; practise kissing on the back of his hand; and so on. But somehow it all "feels fresh and real and new".
The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
The film has a "non-sucrose" tone, set by Wang's "reserved, undemonstrative performance", said Peter Bradshaw in The Guardian. Lesser directors might have offered a "neat, emollient" ending; not this one. This is a "cool, downbeat and satisfying piece of work".
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
How to Get to Heaven from Belfast: a ‘highly entertaining ride’The Week Recommends Mystery-comedy from the creator of Derry Girls should be ‘your new binge-watch’
-
The 8 best TV shows of the 1960sThe standout shows of this decade take viewers from outer space to the Wild West
-
Microdramas are boomingUnder the radar Scroll to watch a whole movie
-
The 8 best TV shows of the 1960sThe standout shows of this decade take viewers from outer space to the Wild West
-
The year’s ‘it’ vegetable is a versatile, economical wonderthe week recommends How to think about thinking about cabbage
-
Are Hollywood ‘showmances’ losing their shine?In The Spotlight Teasing real-life romance between movie leads is an old Tinseltown publicity trick but modern audiences may have had enough
-
6 exquisite homes with vast acreageFeature Featuring an off-the-grid contemporary home in New Mexico and lakefront farmhouse in Massachusetts
-
Film reviews: ‘Wuthering Heights,’ ‘Good Luck, Have Fun, Don’t Die,’ and ‘Sirat’Feature An inconvenient love torments a would-be couple, a gonzo time traveler seeks to save humanity from AI, and a father’s desperate search goes deeply sideways
-
The biggest box office flops of the 21st centuryin depth Unnecessary remakes and turgid, expensive CGI-fests highlight this list of these most notorious box-office losers
-
A thrilling foodie city in northern JapanThe Week Recommends The food scene here is ‘unspoilt’ and ‘fun’
-
Tourangelle-style pork with prunes recipeThe Week Recommends This traditional, rustic dish is a French classic