Road House: a remake that 'strips a cult classic for parts'
A remake of the 1989 original stars a ripped Jake Gyllenhaal in the leading role
Starring Patrick Swayze as the bouncer with a past, who is hired to restore calm to a rough roadside bar in Missouri, "Road House" was slated by many critics when it came out in 1989, "but has since become a cult favourite", said Nicholas Barber on BBC Culture.
Now, we have a loose remake, starring a "ridiculously buff" Jake Gyllenhaal in the Swayze role. He plays Elwood Dalton, a mixed martial arts champ whose career ended after he "pummelled an opponent to death". Elwood is inhabiting a seedy world of bare-knuckle boxing when he is persuaded by Frankie (Jessica Williams) to come and drive the brawling bikers out of her beach bar in Florida (which is called Road House, but isn't one). Cue a host of fight sequences in which Elwood breaks arms, cracks heads and sends bodies flying. It's all watchable enough, but the punch-ups are not as well choreographed as in the original, and though it contains decent lines, the film as a whole contrives to be both mindless and over-complicated, with lots of characters and subplots that are thrown in, but not developed.
In his review of the original "Road House", Roger Ebert concluded that it sat "right on the edge between the 'good-bad movie' and the merely bad", said Clarisse Loughrey in The Independent. This film is neither "good-bad" nor "merely bad", just a bit dull. "The most pointless sort of remake, it takes a cult classic and strips it for parts, reformulating them into just another broad, interchangeable action film".
The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
I quite enjoyed it, said Alistair Harkness in The Scotsman; but it "gets silly" when the Irish MMA star Conor McGregor appears, playing a psychopath. He is "so devoid of acting talent, he can't even make his genuine Irish accent sound plausible".
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
The UK’s ‘wallaby boom’Under the Radar The Australian marsupial has ‘colonised’ the Isle of Man and is now making regular appearances on the UK mainland
-
Fast food is no longer affordable to low-income AmericansThe explainer Cheap meals are getting farther out of reach
-
‘The money to fix this problem already exists’Instant Opinion Opinion, comment and editorials of the day
-
Park Avenue: New York family drama with a ‘staggeringly good’ castThe Week Recommends Fiona Shaw and Katherine Waterston have a ‘combative chemistry’ as a mother and daughter at a crossroads
-
Jay Kelly: ‘deeply mischievous’ Hollywood satire starring George ClooneyThe Week Recommends Noah Baumbach’s smartly scripted Hollywood satire is packed with industry in-jokes
-
Motherland: a ‘brilliantly executed’ feminist history of modern RussiaThe Week Recommends Moscow-born journalist Julia Ioffe examines the women of her country over the past century
-
Music reviews: Rosalía and Mavis Staplesfeature “Lux” and “Sad and Beautiful World”
-
6 homes for entertainingFeature Featuring a heated greenhouse in Pennsylvania and a glamorous oasis in California
-
Film reviews: ‘Jay Kelly’ and ‘Sentimental Value’Feature A movie star looks back on his flawed life and another difficult dad seeks to make amends
-
6 homes on the Gulf CoastFeature Featuring an elegant townhouse in New Orleans’ French Quarter and contemporary coastal retreat in Texas
-
The vast horizons of the Puna de AtacamaThe Week Recommends The ‘dramatic and surreal’ landscape features volcanoes, fumaroles and salt flats